The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.
The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.
The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.
Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)
The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.
The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.
“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.
The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.
The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.
The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.
The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.
The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.
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