The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.
The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.
“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.
“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.
Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.
The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.
“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.
The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.
The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.
“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.
1979 After The Storm All I Need Apocalypse Please Brown Sugar Buddy Holly Bullet With Butterfly Wings California Kids Castles Made Of Sand Closer Creep Earfquake Every Day Is Exactly The Same Exit Music For A Film Fake Plastic Trees Get You Give Me The Night Gone Gone Hallelujah Heart Is A Drum House Of The Rising Sun Hurt Island In The Sun I Want To Hold Your Hand Kashmir Maxwells Silver Hammer Morning Motion Picture Soundtrack My Name Is Jonas Paint It Black Penny Lane Say Goodbye Say It Aint So Since Ive Been Loving You Somebody To Love Stairway To Heaven Strawberry Fields Forever The Good Life Think Im In Love Today Undone The Sweater Song Viva La Vida Whole Lotta Love With A Little Help From My Friends You And Whose Army
A Perfect Circle Beck Bruno Mars Chris Isaak Coldplay Creedence Clearwater Revival Daniel Caesar Dolly Parton Elton John George Benson Goo Goo Dolls Green Day Grizzly Bear Grover Washington Jr. Jeff Buckley Jimi Hendrix John Denver Kali Uchis Keane Led Zeppelin Lizzy McAlpine MGMT Misc Soundtrack Muse Nine Inch Nails Oasis Pink Floyd Portishead Prince Queen Queens of the Stone Age Radiohead Sigur Rós Simon & Garfunkel Tame Impala Taylor Swift The Animals The Beach Boys The Beatles The Cranberries The Rolling Stones The Smashing Pumpkins Tyler, The Creator Vance Joy Weezer
Acoustic Outro Break Bridge Bridge 1 Bridge 2 Chords Chorus Chorus/Outro Chorus 1 Chorus 2 Chorus 3 Chorus 4 Coda Ending Guitar Solo 2 Hook HOOK 1 Hook 2 Hook 3 Instrumental Interlude Intro Main Riff Mid-section Middle 8 Outro Outro with fade out Post-Chorus Pre-chorus Pre-Chorus 1 Pre-Chorus 2 Pre-Chorus 4 Pre-Chorus 5 Pre-Solo Refrain Riff Sax Solo Solo Verse Verse 1 Verse 2 Verse 3 Verse 4 Verse 5 Сhorus
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