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Related Music Theory Alchemy

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

The chord progression for “Kokomo” by The Beach Boys is an example of sophisticated pop songwriting that combines elements of traditional tonal harmony, modal interchange (borrowed chords), and secondary dominants for dramatic effect. This song is in the key of C major.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

The Beach Boys – Good Vibrations – Verse 1

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Chord Progression

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]

Chord Progression Analysis

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Here is a simplified version for Verse 1:

Dm – I
C – VII
Bb – VI
A – V

This progression repeats four times in the verse. The verse starts in D minor, and the chord progression descends by step, from Dm (I) to C (VII) to Bb (VI) and then to A (V). This sequence of chords is quite common in pop music.

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Similar Chord Progressions

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1) “Don’t Stop Believin” by Journey:

E – I
B – V
C#m – VI
A – IV

2) “Let It Be” by The Beatles:

C – I
G – V
Am – VI
F – IV
3) “Can You Feel The Love Tonight” by Elton John:

C – I
G – V
Am – VI
F – IV

Note that while these songs do not feature the exact same chord progression as “Good Vibrations,” they nonetheless follow a similar descending pattern, moving from the I chord to IV in their respective keys, illustrating how common this progression is in popular music.

Musical Analysis

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The descending chord progression provides a sense of melancholy along with settling tension. The dissonant tension of the minor chord “Dm” starts off the progression where it resolves to the more consonant major chord “C”. This process repeats as we move from “Bb” to the “A”. The repetition of this four chord sequence creates anticipation which is satisfied each time the sequence repeat again.

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Overall Analysis

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Style Analysis

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This chord progression is a testament to The Beach Boys’ unique style of combining complex harmonic structures with the catchy, upbeat tempos typical of pop music. Wilson’s innovative and gifted arrangement skills are portrayed in his incorporation of unconventional instruments (i.e., theremin) and experimental studio techniques.

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Chords in the Verse 1 section of Good Vibrations by The Beach Boys are:

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]