The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.
This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.
“Maxwell’s Silver Hammer” by The Beatles features a popular song structure and a mix of common chord progression techniques. The distinct progressions within the verse repeat throughout the song, but the chords and structures themselves are fairly common within rock and pop music. It mixes the standard I-IV-V (in this case, D-A-G) progression with the ii-V-I progression (in this case, Em-A-D), both of which are staples of songwriting in a variety of genres.
“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.
“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.
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