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“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

The song “Every Day Is Exactly The Same” by Nine Inch Nails has a dark and moody atmosphere, characterized by the repetitive chord progression that sets the gloomy tone. This prolific use of chords throughout snippets of the song creates a musical portrait of monotony and disillusion which is reflective of the song’s title and lyrics. Looking at the chords provided from the second verse, this mood is accomplished through the consistent use of minor tonalities and alternation between two power chords – E and C.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Chris Isaak – Wicked Game – Verse 2

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

Here is a complete listing of the full chord names and their Roman Numerals:

“`
B minor (‘i’),
A Major (‘VII’),
E Major (‘IV’)
“`

There are no borrowed chords in this chord progression.

Similar Chord Progressions

“Every Breath You Take” by The Police and “Stand By Me” by Ben E. King use similar, though not identical, progressions. The following are the chord progressions of these songs:

“Every Breath You Take” by The Police – [G Major (‘I’), Em (‘vi’), A7 (‘VII7’), D (‘IV’), C (‘♭III’)]

“Stand By Me” by Ben E. King – [C# minor (‘i’), E Major (‘III’), F# Major (‘V’), B Major (‘VII’)]

Although these progressions are not completely similar to “Wicked Game,” they share the quality of repeating the same sequence of chords throughout the entire song, and have a similar mood.

Musical Analysis

The song utilizes a basic three-chord progression throughout most of the song, revolving around the B minor key’s tonic (‘i’), subtonic (‘VII’) and subdominant (‘IV’) chords. This progression contributes to the song’s dreamy and melancholic mood. The use of the E Major chord in the progression (‘IV’) is interesting, indicating a deviation from the conventional diatonic chords found in a typical B minor key, which would typically have an E minor instead of an E Major.

Overall Analysis

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

Style Analysis

“Wicked Game” is heavily influenced by the rockabilly and roots rock styles of the 1950s and early ’60s, as evidenced by its simple, yet effective chord progressions and soaring falsetto vocals. However, its production and atmosphere lean more towards an echoing, dreamy style which was popular in late ’80s and early ’90s pop music.

Chords in the Verse 2 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]