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“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

“All My Loving” by The Beatles is written in the key of D Major. It’s pop and rock style includes elements of British Invasion and Merseybeat. It shows a common chord progression modified with additional chords and modulation.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

The piece “When I Was Your Man” by Bruno Mars showcases a common pop ballad structure that follows a typical 4-chord progression with common tone substitution as well as some chords borrowed from the relative minor. Its simplicity is one of its strengths as it allows the focus to fall on Bruno’s vocals and the lyrics, which matches the direct, emotional content of the song effectively.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

The Beatles – Maxwells Silver Hammer – Verse 2

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Chord Progression

[‘D’, ‘B7’, ‘Em’, ‘A7’, ‘D’, ‘A’, ‘E7’, ‘A7’]

Chord Progression Analysis

Here is the roman numeral analysis and full chord names of Verse 2:

– D Major (I)
– B7 Major (VI7)
– E Minor (ii)
– A7 Major (V7)
– D Major (I)
– A Major (V)
– E7 Major (II7)
– A7 Major (V7)

The E7 Major (II7) and B7 (VI7) are the borrowed chords.

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Borrowed Chords: E7 Major (II7), B7 Major (VI7)
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Similar Chord Progressions

Creedence Clearwater Revival’s “Bad Moon Rising”

– D Major (I)
– A Major (V)
– G Major (IV)
– D Major (I)

The Monkees’s “I’m a Believer”

– G Major (I)
– D Major (V)
– C Major (IV)
– G Major (I)

These songs employ similar use of dominant and subdominant chords, although the role of secondary dominants is more pronounced in the Beatles’ progression.

Musical Analysis

Chord progression touches different diatonic chords of D Major, the tonic home key. The sudden switch to B7 serves as a secondary dominant that introduces E minor, the subdominant of D major. This is a great example of a chromatic secondary dominant, which The Beatles were known for using. Further, the E7 acts as a secondary dominant to the A7, the dominant of D Major.

Overall Analysis

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

Style Analysis

Pick out any Beatles song, and more likely than not, you’ll find it peppered with secondary dominants. “Maxwell’s Silver Hammer” is no exception. The song features a cheerful, upbeat tempo and tone despite its dark lyrical content, a classic Beatles contrast. Time signature is 4/4, maintaining a constant easy beat.

Chords in the Verse 2 section of Maxwells Silver Hammer by The Beatles are:

[‘D’, ‘B7’, ‘Em’, ‘A7’, ‘D’, ‘A’, ‘E7’, ‘A7’]