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Related Music Theory Alchemy

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

This is a rich verse chord progression where The Beatles use diatonic and borrowed chords to enrich the melody. This progression follows their signature style of pop music with strong melodious and harmonic elements.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

The Beatles – Eight Days A Week – Verse 2

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

Here is a detailed chord progression analysis list and the identified borrowed chords:
1. D (I)
2. E7 (II7)
3. G (IV)
4. D (I)
5. D (I)
6. E7 (II7)
7. G (IV)
8. D (I)

“`A borrowed chord occurs in this progression is: E7 which is a II7, borrowed from the D Mixolydian mode.“`

Similar Chord Progressions

The Beatles influenced a raft of artists who have used similar chord progressions in their work. The Kinks’ song “Waterloo Sunset” employs a similar progression: [‘D’, ‘E7’, ‘G’, ‘D’]. The song “Mr. Brightside” by The Killers also bares a resemblance, with a partial chord progression of [‘D’, ‘E’, ‘G’, ‘D’]. Remember that the reinterpretation of chord progressions in different compositions is a common practice in music.

Musical Analysis

The verse 2 chord progression creates a pleasing seesaw effect, toggling back and forth between familiar tonal centers. The E7 chord introduces an interesting touch as it functions as a secondary dominant (V/V), momentarily shifting our hearing towards the key of A. However, instead of resolving to A, it moves to G, a deceptive resolution that adds an unexpected twist. The E7 is also borrowed from the Mixolydian mode, blending in a bluesy element to the major tonality, whilst the D and G chords firmly anchor the song in the D major key.

Overall Analysis

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Style Analysis

Despite the straightforward melodies and harmonies, “Eight Days A Week” is a perfect example of the Beatles’ innovative approach to songwriting that pushed the boundaries of pop music. It uses an unusual blend of major/minor tonalities and modal interchange, something not commonly seen in music at the time. Reminiscent of the folk and country music from which they drew inspiration, the song transcends traditional stylistic boundaries, falling somewhere between pop, rock, and folk.

Chords in the Verse 2 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]