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“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

The song “Penny Lane” written by the Beatles is in the key of A major. The structure of Verse 4, specifically, has a very effective use of both diatonic (belonging naturally to the key) and borrowed chords (taken from a different key or mode). They have incorporated secondary dominants, pivot modulation, and modal interchange which reflect their knowledge of musical theory and compositional skills.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“House of the Rising Sun” by The Animals is a traditional folk song arranged by the British rock band in 1964. The song is known for its distinct and haunting minor sound, which has become one of the most famous examples of a minor key in popular music. The chord progression features a mix of diatonic and non-diatonic chords that add variety and interest to the music.

“Your Song” by Elton John is an iconic pop ballad featuring a piano-driven accompaniment. Harmonically, the song displays rich and varied chord progressions within key of D major, though with a significant usage of borrowed chords and alterations that contribute to a unique and expressive harmonic language. There is a classical and cinematic air about this song establishing it as a flagship Elton John classic.

The Beatles – Eight Days A Week – Verse 4

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

The specific progression for Verse 4 is: D major (I), E dominant 7th (V7/V), G major (IV), D major (I), D major (I), E dominant 7th (V7/V), G major (IV), D major (I)

“`markdown
D Major (‘I’)
E Dominant 7th (‘V7/V’)
G Major (‘IV’)
D Major (‘I’)
D Major (‘I’)
E Dominant 7th (‘V7/V’)
G Major (‘IV’)
D Major (‘I’)
“`

Similar Chord Progressions

– “Every Breath You Take” by The Police:
“`markdown
G Major (‘I’)
E7 (‘V7/VI’)
C Major (‘IV’)
D Major (‘V’)
“`
– “Let It Be” by The Beatles:
“`markdown
C Major (‘I’)
G Dominant 7th (‘V7’)
A Minor (‘vi’)
F Major (‘IV’)
“`
These songs don’t have the exact same progression, but they do manipulate dominant chords in a similar way to create tension and release, just like “Eight Days a Week”. “Every Breath You Take” uses the E7 as a secondary dominant of the vi chord, and “Let It Be” uses the G7 to resolve to the IV chord.

Musical Analysis

Analyzing further, the E dominant 7th chord is a secondary dominant (also known as a borrowed chord) as it is not naturally occurring in the scale of D major. Secondary dominants are used to temporarily tonicize, or focus on, a certain chord in the scale. The E7 acts as the dominant of the A major, which is the next chord in the original version of the song. However, that A major is replaced with the G major, creating a surprising modulation to the IV which creates a tension-release dynamic.

Overall Analysis

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

Style Analysis

The utilization of the secondary dominant and IV chord in this way is a common signature in The Beatles’ music. They often used these techniques to add unique flavors and tension to their melodies and chord progressions, despite the seemingly simple chord structures. This ability to intricately construct and deconstruct progressions is a big part of their style that helped them stand out and become one of the most influential bands in history.

Chords in the Verse 4 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]