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“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

Elton John – Rocket Man – Verse 2

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Chord Progression

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

“`plain
Em7 (‘vi7’), A (‘II’), Asus2 (‘IIsus2’), Em7 (‘vi7’), A (‘II’), A (‘II’), G/B (‘I/III’), C (‘IV’), G/B (‘I/III’), Am (‘ii’),
C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), Em7 (‘vi7’), A (‘II’), Em7 (‘vi7’), A (‘II’), A7sus4 (‘IIsus4’), C (‘IV’),
G/B (‘I/III’), Am (‘ii’), C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), C/D (‘IV/V’),.

Note: ‘II’ indicates a borrowed chord from the parallel key which in this case is G minor.
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Similar Chord Progressions

1. Billy Joel – “She’s Got A Way”
Chord Progression: [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘Fm’, ‘C’, ‘G’, ‘Am’, ‘D’, ‘G’, ‘G7’]
Joel’s composition shares the use of dominant and major seventh chords like “Rocket Man”. The movement from F to Fm creates a parallel to John’s frequent use of borrowed chords.

2. The Beatles – “Here Comes The Sun”
Chord Progression: [‘D’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’]
This Beatles classic shares similarities in its use of seventh and suspended chords, creating a similar harmonic color.

3. Eric Clapton – “Wonderful Tonight”
Chord Progression: [‘G’, ‘D/F#’, ‘C’, ‘D’, ‘G’, ‘D/F#’, ‘C’, ‘D’]
Clapton makes use of descending bass lines, similar to “Rocket Man”.

Musical Analysis

Elton John uses a lot of chromaticism and tension-release through the use of seventh chords (Em7), suspensions (Asus2, A7sus4), and borrowed chords (A – borrowed from the parallel minor key). The constant alternations between the tonic and the dominant seventh chord add ambiguity to the progression, reflecting the theme of the song. The bass line movement, particularly the use of slash chords (G/B, D/F#), creates an interesting countermelody to the tune and emulates the feeling of traveling to the cosmos.

Overall Analysis

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

Style Analysis

Elton’s style is largely influenced by gospel, blues, and early rock ‘n’ roll, which is evident in the usage of the dominant seventh and suspended chords throughout the verse. He also incorporates a lot of rhythmic changes and syncopations into the chord progression, creating a rich harmonic texture. The repeated riff helps to ground the song in the folk-rock style, while the use of borrowed chords adds a jazzy touch.

Chords in the Verse 2 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]