Search

Related Music Theory Alchemy

“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Grover Washington Jr. – Just The Two Of Us – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

Here’s the Verse 2 chord progression with full chord names and roman numerals:

“`
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
D Minor Seventh (♭VII)
G Dominant Seventh (♭III)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
D Minor Seventh (♭VII)
G Dominant Seventh (♭III)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
“`
In this context, the chords C Major Seventh and D Minor Seventh can be considered borrowed chords.

Similar Chord Progressions

While it’s difficult to find an exact match, some songs carry similar chords or themes including “My Cherie Amour” by Stevie Wonder, which contains a vi V ii progression in its chorus similar to the “Just The Two Of Us” verse progression, and “At Last” by Etta James follows a similar harmonic pattern with the I-VI-II-V progression in its key verse sections. Stevie Wonder’s song “Isn’t She Lovely” also has a similar jazz-inflected sound, panache, and switch from minor to major chords.

Musical Analysis

This chord progression contributes tremendously to the song’s soulful and slightly melancholic flavor. The transition from the B Dominant Seventh to E Minor Seventh forms a classic V-i harmonic progression, which creates the strong sense of resolution familiar to all genres of western music. However, the frequent employment of borrowed chords from the parallel major (particularly C Major Seventh and D Minor Seventh) brings bright color, which further enriches the harmonic texture.

Overall Analysis

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

Style Analysis

Given its elegant mixture of soul, R&B, and jazz elements, the song has a very unique yet universal appeal. The jazzy vibe is unmistakable, especially due to the frequent use of 7th chords and chord extensions, adding sophistication and complexity to the music. The song’s stripped-down instrumentation allows listeners to focus on the rich harmonic and melodic content instead.

Chords in the Verse 2 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]