Music Theory Alchemy

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The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

Weezer – Undone The Sweater Song – Verse 2

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

Borrowed chord:
`G6#9`

Similar Chord Progressions

1. Oasis – “Wonderwall”
Gmaj7 (I), Dsus4 (V), Em7 (vi), Cadd9 (IV), Gmaj7 (I), Dsus4 (V), Cadd9 (IV)

2. Radiohead – “Creep”
Gmaj (I), B (III), C (IV), Cm (iv)

3. Nirvana – “Smells Like Teen Spirit”
F5 (I), Bb5 (IV), Ab5 (bIII), Db5 (bVI), F5 (I), Bb5 (IV), Ab5 (bIII), C5 (V)

While none of these songs have the exact same chord progression as “Undone – The Sweater Song,” each has a similar blending of pop and rock elements with the use of familiar diatonic chords, combined with borrowed or added chords which enhance the overall sound and make the chord progression more distinctive.

Musical Analysis

The verse 2 chord progression centers around the I-IV-V chords (G, C, and D) which are typically used in common major key progressions. However, the G6#9 chord introduces a surprising element to the progression by using a borrowed chord from the G Mixolydian mode. The #9 adds tension and creates a sense of expectation as it resolves to the IV chord, while the added 6th degree (E) in the G6#9 chord provides a smooth melodic connection to the C chord.

Overall Analysis

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Style Analysis

The style of the chord progression in Verse 2 represents a fusion of pop and grunge rock sensibilities. The use of diatonic chords (G, C, and D) showcases the tendency of pop music to adhere to the major scale, while the borrowed G6#9 chord highlights the grunge rock influence that seeks to explore non-diatonic or dissonant harmonies. This combination creates a unique sound that defines Weezer’s signature style, blending the familiar and the unexpected.

Chords in the Verse 2 section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C