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Related Music Theory Alchemy

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

“Weezer – Island In The Sun (Bridge)” is a relatively simple yet melodically impactful chord progression that utilizes a mixture of major and minor chords. The song is in the key of G major, and the bridge follows a (V – I) D-G progression initially, before moving to the IV (C) and ii (Am) chords. The harmonic rhythm of the bridge creates a sense of resolution and adds emotional depth to the song.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

Weezer – Undone The Sweater Song – Verse 2

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

Borrowed chord:
`G6#9`

Similar Chord Progressions

1. Oasis – “Wonderwall”
Gmaj7 (I), Dsus4 (V), Em7 (vi), Cadd9 (IV), Gmaj7 (I), Dsus4 (V), Cadd9 (IV)

2. Radiohead – “Creep”
Gmaj (I), B (III), C (IV), Cm (iv)

3. Nirvana – “Smells Like Teen Spirit”
F5 (I), Bb5 (IV), Ab5 (bIII), Db5 (bVI), F5 (I), Bb5 (IV), Ab5 (bIII), C5 (V)

While none of these songs have the exact same chord progression as “Undone – The Sweater Song,” each has a similar blending of pop and rock elements with the use of familiar diatonic chords, combined with borrowed or added chords which enhance the overall sound and make the chord progression more distinctive.

Musical Analysis

The verse 2 chord progression centers around the I-IV-V chords (G, C, and D) which are typically used in common major key progressions. However, the G6#9 chord introduces a surprising element to the progression by using a borrowed chord from the G Mixolydian mode. The #9 adds tension and creates a sense of expectation as it resolves to the IV chord, while the added 6th degree (E) in the G6#9 chord provides a smooth melodic connection to the C chord.

Overall Analysis

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Style Analysis

The style of the chord progression in Verse 2 represents a fusion of pop and grunge rock sensibilities. The use of diatonic chords (G, C, and D) showcases the tendency of pop music to adhere to the major scale, while the borrowed G6#9 chord highlights the grunge rock influence that seeks to explore non-diatonic or dissonant harmonies. This combination creates a unique sound that defines Weezer’s signature style, blending the familiar and the unexpected.

Chords in the Verse 2 section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C