Music Theory Alchemy

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Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

Radiohead – Motion Picture Soundtrack – Verse 2

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

1. G Major (I)
2. Csus2 (IVsus2)
3. Bmadd9 (iii(add9))
4. Csus2 (IVsus2)

This progression continuously oscillates between G major, the tonality established in the piece, and Csus2 (used as a borrowed chord), a suspension that resolves back to G major.

Similar Chord Progressions

1. Coldplay – “Yellow”:
1. B Major (I)
2. F#sus4 (V7sus4)
3. G#m (vi)
4. E Major (IV)

2. U2 – “With or Without You”:
1. D Major (I)
2. A Major (V)
3. Bm (vi)
4. G (IV)

These two examples show a similar approach to the use of suspensions and oscillation between harmonies found in Radiohead’s “Motion Picture Soundtrack”. While they are not an exact match, they showcase the power of blending suspense and emotion through the use of suspended chords and unconventional chord progressions.

Musical Analysis

The use of sus2 chords and the added 9th in Bmadd9 adds a unique and ethereal quality to the song. The oscillation between G major and the suspended chords creates tension, while the Bmadd9 chord adds a layer of complexity to the progression while still giving it a sense of stability. The suspension in the chords, along with the mix of major and minor tonalities, creates a sense of longing and emotion, typical of Radiohead’s atmospheric and melancholic style.

Overall Analysis

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

Style Analysis

Radiohead is known for their experimental and unique approach to songwriting, often using suspended chords and unconventional chord progressions to create a rich, emotional sound. Their harmonic language sometimes borrows from classical music and jazz without adhering strictly to either genre. The result is a distinct sound that is expressive and emotionally evocative, which the chord progression in Verse 2 of “Motion Picture Soundtrack” perfectly exemplifies.

Chords in the Verse 2 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2