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Related Music Theory Alchemy

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

Radiohead – Motion Picture Soundtrack – Verse 2

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

1. G Major (I)
2. Csus2 (IVsus2)
3. Bmadd9 (iii(add9))
4. Csus2 (IVsus2)

This progression continuously oscillates between G major, the tonality established in the piece, and Csus2 (used as a borrowed chord), a suspension that resolves back to G major.

Similar Chord Progressions

1. Coldplay – “Yellow”:
1. B Major (I)
2. F#sus4 (V7sus4)
3. G#m (vi)
4. E Major (IV)

2. U2 – “With or Without You”:
1. D Major (I)
2. A Major (V)
3. Bm (vi)
4. G (IV)

These two examples show a similar approach to the use of suspensions and oscillation between harmonies found in Radiohead’s “Motion Picture Soundtrack”. While they are not an exact match, they showcase the power of blending suspense and emotion through the use of suspended chords and unconventional chord progressions.

Musical Analysis

The use of sus2 chords and the added 9th in Bmadd9 adds a unique and ethereal quality to the song. The oscillation between G major and the suspended chords creates tension, while the Bmadd9 chord adds a layer of complexity to the progression while still giving it a sense of stability. The suspension in the chords, along with the mix of major and minor tonalities, creates a sense of longing and emotion, typical of Radiohead’s atmospheric and melancholic style.

Overall Analysis

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

Style Analysis

Radiohead is known for their experimental and unique approach to songwriting, often using suspended chords and unconventional chord progressions to create a rich, emotional sound. Their harmonic language sometimes borrows from classical music and jazz without adhering strictly to either genre. The result is a distinct sound that is expressive and emotionally evocative, which the chord progression in Verse 2 of “Motion Picture Soundtrack” perfectly exemplifies.

Chords in the Verse 2 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2