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Related Music Theory Alchemy

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Queen – Somebody To Love – Verse 2

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Chord Progression

[‘G’, ‘D/F#’, ‘Em’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D/F#’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘A7’, ‘D’, ‘A7’, ‘D’, ‘C’]

Chord Progression Analysis

G (I), D/F# (V/V), Em (vi), G (I), A7 (V/V/V), D (V), G (I), D/F# (V/V), Em (vi), A7 (V/V/V), D (V), G (I), A7 (V/V/V), D (V), A7 (V/V/V), D (V), C (IV)

Similar Chord Progressions

1. “Imagine” by John Lennon – C (I), CMaj7 (I), F (IV), C (I), E7 (III7), F (IV)
2. “Video Killed the Radio Star” by The Buggles – G (I), D/F# (V6), Em (vi)
3. “Let It Be” by The Beatles – C (I), G (V), Am (vi), F (IV), C (I), G (V), F (IV)

These songs don’t have the exact same chord progression but the presence of secondary dominant chords and vi chords in major keys makes them similar in style to Somebody to Love by Queen.

Musical Analysis

The chord progression for “Somebody To Love” is relatively simple, but effective. Freddie Mercury uses both diatonic and secondary dominant chords throughout the verse, adding variation and sparking interest while providing a strong, recognizable harmonic structure. The D/F# is a first inversion of a D chord, showing further sophistication in Mercury’s composition abilities.

Overall Analysis

“Someone to Love” by Queen is a rock song infused with gospel and blues influences. It’s written in the key of Ab major but the second verse you have provided seems to be in G major.

Style Analysis

Freddie Mercury often drew from his classical piano training to create complex harmonies and chord progressions, and “Somebody to Love” is no exception. With its use of secondary dominants, the piece particularly shares a similarity with much of classical and jazz music. The piece also rides a line between tension and release, setting up expectations with its diatonic chords and then subverting them using non-diatonic chords, reminiscent of the blues.

Chords in the Verse 2 section of Somebody To Love by Queen are:

[‘G’, ‘D/F#’, ‘Em’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D/F#’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘A7’, ‘D’, ‘A7’, ‘D’, ‘C’]