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“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

Grover Washington Jr. – Just The Two Of Us – Verse 1

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Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

The song is in C Major. Here are the full chord names along with their Roman numeral analysis:

“`
C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7(‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’)
“`
The dominant B7 chord is borrowed from the parallel minor key (C minor), hence a borrowed chord.

Similar Chord Progressions

A similar progression can be found in “Isn’t She Lovely” by Stevie Wonder, which likewise uses dominant 7th and minor 7th chords, primarily for a jazzy, soulful aesthetic.

The progression is as follows:

“`
E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’), G#m7 (‘iiim7’), C#m7 (‘iiim7’), C7 (‘bVIIMaj7’ – borrowed chord), F#m7 (‘iim7’), B7 (‘VMaj7’), E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’)
“`

Musical Analysis

The chord progression utilizes an interesting mix of diatonic and chromatic movements. The transition between a Cmaj7 and a B7 uses chromatic motion, dropping the chord by a half step, while the movement from B7 to Em7 is a common dominant-tonic relationship in minor keys.

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Overall Analysis

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

Style Analysis

This smooth progression is characteristic of the R&B and jazz influences present in Grover Washington Jr.’s music. The use of 7th chords and chromaticism creates an intricate, mellow sound, giving the song its relaxed and easy-going vibe.

Chords in the Verse 1 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]