Music Theory Alchemy

Search

Related Music Theory Alchemy

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

**

“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

**

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

Grover Washington Jr. – Just The Two Of Us – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

The song is in C Major. Here are the full chord names along with their Roman numeral analysis:

“`
C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7(‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’)
“`
The dominant B7 chord is borrowed from the parallel minor key (C minor), hence a borrowed chord.

Similar Chord Progressions

A similar progression can be found in “Isn’t She Lovely” by Stevie Wonder, which likewise uses dominant 7th and minor 7th chords, primarily for a jazzy, soulful aesthetic.

The progression is as follows:

“`
E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’), G#m7 (‘iiim7’), C#m7 (‘iiim7’), C7 (‘bVIIMaj7’ – borrowed chord), F#m7 (‘iim7’), B7 (‘VMaj7’), E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’)
“`

Musical Analysis

The chord progression utilizes an interesting mix of diatonic and chromatic movements. The transition between a Cmaj7 and a B7 uses chromatic motion, dropping the chord by a half step, while the movement from B7 to Em7 is a common dominant-tonic relationship in minor keys.

Trial

Overall Analysis

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

Style Analysis

This smooth progression is characteristic of the R&B and jazz influences present in Grover Washington Jr.’s music. The use of 7th chords and chromaticism creates an intricate, mellow sound, giving the song its relaxed and easy-going vibe.

Chords in the Verse 1 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]