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“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

Queen – Save Me – Verse 2

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Chord Progression

[‘G’, ‘D/F#’, ‘Em’, ‘D/F#’, ‘G’, ‘C’, ‘G/B’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘C’, ‘C/E’, ‘G/D’, ‘C/E’, ‘D’]

Chord Progression Analysis

The given verse 2 chord progression is as follows:
`[‘G’, ‘D/F#’, ‘Em’, ‘D/F#’, ‘G’, ‘C’, ‘G/B’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘C’, ‘C/E’, ‘G/D’, ‘C/E’, ‘D’]`.

The chord progression can be written as follows:
“`plaintext
G Major (I),
D Major/F# (V/first inversion),
E minor (vi),
D Major/F# (V/first inversion),
G Major (I),
C Major (IV),
G Major/B (I/first inversion),
A minor (ii),
C Major (IV),
D Major (V),
G Major (I),
C Major (IV),
C Major/E (IV/first inversion),
G Major/D (I/second inversion),
C Major/E (IV/first inversion),
D Major (V)
“`
Borrowed chords: None found in this section.

3.

Similar Chord Progressions

Close examples of this progression are harder to find, as its uniqueness lies much in its execution. However, the structure of the verse shows some similarities with other rock and pop songs:

– “Let It Be” by The Beatles plays with a similar progression in the key of C Major. The progression is [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’] – which can be translated in numerical form as: I, V, vi, IV, I, V, IV, I.

– “I’m Yours” by Jason Mraz opens with a similar progression in the key of B Major. It goes [‘B’, ‘F#’, ‘G#m’, ‘E’] – corresponding to I, V, vi, IV progression.

In these examples, the exact inversions and variations may not be the same but the “I – V – vi – IV” progression structure is a common theme. It’s in the way the bands utilize and break from these structures that creates their unique sounds.

Musical Analysis

The musical style of this progression is a merging between simple diatonic structures and complex layering of inversions and roots. The grounding chords G, C, and D give a solid backing, and the variations on these chords (such as the first inversion D/F#) add variety and interest.

4.

Overall Analysis

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

2.

Style Analysis

Queen often made use of fairly simple chord structures, but their arrangements elevated these structures to heady heights of orchestral grandeur. They’re known for their creativity in blending various genres: from rock to opera, gospel to progressive, all while sticking to basic scales and harmonies. This progression’s distinctive feature is its execution, as Queen’s distinct sound derives as much from their unique instrumentation, voicing, and orchestration, as from their chord choices.

5.

Chords in the Verse 2 section of Save Me by Queen are:

[‘G’, ‘D/F#’, ‘Em’, ‘D/F#’, ‘G’, ‘C’, ‘G/B’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘C’, ‘C/E’, ‘G/D’, ‘C/E’, ‘D’]