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Related Music Theory Alchemy

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

MGMT – When You Die – Verse 2

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Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I)
E Minor (vi)
F# Minor (ii♭)
B Minor (v)
G Major (I)
F# Minor (ii♭)
B Minor (v)
E Major (IV/vi)
A Major (VII)

“`F# Minor (ii♭) and A Major (VII) are borrowed chords from G Major’s parallel minor (G minor).“`

Similar Chord Progressions

1. Tame Impala – “Feels Like We Only Go Backwards”

D Major (I)
C# Minor (vii’♭)
B Minor (vi)
A Major (V/V)
G Major (IV)

2. Radiohead – “Paranoid Android”

G# Minor (i)
A Major (♭II)
E Major (V/v)
C# Minor (iv)

These examples share MGMT’s use of borrowed chords, secondary dominants, and unconventional harmonies, creating a similar air of intrigue and unpredictability. Note that both examples include the major VII chord like MGMT’s progression, further connecting them stylistically.

Musical Analysis

The verse starts in the key of G Major, with a standard I-vi progression. However, it quickly deviates from typical pop progressions by introducing the borrowed F# Minor chord, which adds dissonance and tension. The progression then moves to B Minor, the v chord in G Major, which further contributes to the emotional and moody quality of the verse.

The progression returns to G Major, but then reintroduces the borrowed F# Minor chord. This back-and-forth pattern adds interest and unpredictability to the music. The progression continues with another B Minor chord before moving to E Major. This E Major chord is the secondary dominant of the relative minor (vi), adding even more tension.

Finally, the progression resolves with an unexpected A Major chord, the borrowed VII from G minor. This resolution leaves listeners with a sense of satisfaction while maintaining a hint of unresolved tension, due to the A Major chord not being diatonic to G Major.

Overall Analysis

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

Style Analysis

The style of this chord progression can be described as a fusion of rock, pop, and psychedelic music. Its use of borrowed chords, secondary dominants, and unconventional resolution contributes to a moody and intriguing atmosphere. This is reminiscent of the psychedelic rock of the late 1960s and early 1970s, which often incorporated unusual and unexpected harmonies.

Chords in the Verse 2 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A