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The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

MGMT – When You Die – Verse 2

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Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I)
E Minor (vi)
F# Minor (ii♭)
B Minor (v)
G Major (I)
F# Minor (ii♭)
B Minor (v)
E Major (IV/vi)
A Major (VII)

“`F# Minor (ii♭) and A Major (VII) are borrowed chords from G Major’s parallel minor (G minor).“`

Similar Chord Progressions

1. Tame Impala – “Feels Like We Only Go Backwards”

D Major (I)
C# Minor (vii’♭)
B Minor (vi)
A Major (V/V)
G Major (IV)

2. Radiohead – “Paranoid Android”

G# Minor (i)
A Major (♭II)
E Major (V/v)
C# Minor (iv)

These examples share MGMT’s use of borrowed chords, secondary dominants, and unconventional harmonies, creating a similar air of intrigue and unpredictability. Note that both examples include the major VII chord like MGMT’s progression, further connecting them stylistically.

Musical Analysis

The verse starts in the key of G Major, with a standard I-vi progression. However, it quickly deviates from typical pop progressions by introducing the borrowed F# Minor chord, which adds dissonance and tension. The progression then moves to B Minor, the v chord in G Major, which further contributes to the emotional and moody quality of the verse.

The progression returns to G Major, but then reintroduces the borrowed F# Minor chord. This back-and-forth pattern adds interest and unpredictability to the music. The progression continues with another B Minor chord before moving to E Major. This E Major chord is the secondary dominant of the relative minor (vi), adding even more tension.

Finally, the progression resolves with an unexpected A Major chord, the borrowed VII from G minor. This resolution leaves listeners with a sense of satisfaction while maintaining a hint of unresolved tension, due to the A Major chord not being diatonic to G Major.

Overall Analysis

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

Style Analysis

The style of this chord progression can be described as a fusion of rock, pop, and psychedelic music. Its use of borrowed chords, secondary dominants, and unconventional resolution contributes to a moody and intriguing atmosphere. This is reminiscent of the psychedelic rock of the late 1960s and early 1970s, which often incorporated unusual and unexpected harmonies.

Chords in the Verse 2 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A