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Related Music Theory Alchemy

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

MGMT – Time To Pretend – Verse 2

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Chord Progression

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D

Chord Progression Analysis

D Major (I) – G Major (IV) – D Major (I) – Dsus2 (Isus2) – D Major (I) x 5

“`[No borrowed chords are present]“`

Similar Chord Progressions

1. Coldplay – “The Scientist”: D Major (I) – B minor (vi) – G Major (IV) – A Major (V)
2. Oasis – “Wonderwall”: D Major (I) – Dsus4 (Isus4) – A Major (V) – G Major (IV) – E minor (ii)
3. The Lumineers – “Ho Hey”: D Major (I) – B minor (vi) – G Major (IV)

In summary, the chord progression in the verse of MGMT’s “Time To Pretend” is simple and repetitive, featuring triads and suspensions. The use of the Dsus2 chord adds an element of tension and release, making the progression more engaging. The song’s style can be classified as electronic psychedelic rock and neo-psychedelia, and similar chord progressions can be found in songs by Coldplay, Oasis, and The Lumineers.

Musical Analysis

The verse in “Time To Pretend” contains a four-chord progression that is repeated five times. The chords used are not complex, nor are they particularly rich in texture. They are triads and simple suspensions, which contribute to a straightforward harmonic foundation. The use of the Dsus2 chord adds an element of tension and release within the progression, which is resolved by returning to the D Major chord.

It’s important to note that even though the progression is harmonically simple, MGMT successfully builds atmosphere and interest through their use of production, instrumentation, and melody. The repetition of the chord progression contributes to the hypnotic and meditative quality of the song.

Overall Analysis

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

Style Analysis

MGMT’s “Time To Pretend” can be classified as a blend of electronic psychedelic rock and neo-psychedelia. The chord progression is representative of the song’s overall structure: simple but effective. The use of the Dsus2 chord reflects the band’s inclination to experiment with harmony, albeit cautiously.

Chords in the Verse 2 section of Time To Pretend by MGMT are:

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D