Tyler, The Creator – Gone Gone – Verse 2
Gone Gone < All Analyses
Chord Progression
Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm
Chord Progression Analysis
1. Bb Major (I)
2. D minor (iii)
3. G minor (vi)
4. F#m7 (ii°7, borrowed from Bb Lydian)
5. Eb Major (IV)
6. D minor (iii)
7. Eb Major (IV)
8. D minor (iii)
9. Eb Major (IV)
10. D minor (iii)
11. Eb Major (IV)
12. D minor (iii)
Similar Chord Progressions
1. Radiohead – “Paranoid Android”:
Gm (i), Eb (VI), Bb (III), Dm (v), Gm (i), Ab (♭II), Gm (i), F (VII), Eb (VI), Bb (III)
2. Daniel Caesar – “Japanese Denim”:
Bb (I), Gm (vi), EbMaj7 (IVΔ7), F (V)
Both of these examples share similarities with Tyler, The Creator’s chord progression by using mixture and borrowed chords to create a harmonically rich and innovative sound.
Musical Analysis
The progression starts with a I-iii-vi progression, which has a strong tonal center in Bb major. The F#m7 chord that follows is borrowed from the Bb Lydian mode, introducing a brief tension before resolving back to the diatonic Eb Major (IV) chord. The rest of the progression alternates between D minor (iii) and Eb Major (IV) chords, maintaining the tonality in Bb major but injecting an interesting motion and feel.
Overall Analysis
The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.
Style Analysis
Tyler, The Creator’s style is heavily influenced by jazz harmony and R&B chord progressions. This chord progression, with its mix of diatonic and borrowed chords, exhibits a characteristic blending of styles and genres, creating a unique and harmonically rich sound. The use of the F#m7 borrowed chord adds to the emotional quality of the piece and gives it a modern and innovative feel.
What are the chords in: Tyler, The Creator – Gone Gone – Verse 2?
Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm
