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Related Music Theory Alchemy

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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“A Star Is Born – Shallow” by Misc Soundtrack uses common chords found in pop music and combines them in a fresh way. The progression makes use of diatonic chords and even includes a borrowed chord from the parallel minor key. It showcases a feasible balance of tension and resolution, often transitioning through a variety of chord inversions to add color and depth to the harmonies. The song moves around the circle of fifths, which allows for smooth transitions between keys.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

Coldplay – Yellow – Verse 2

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]

Chord Progression Analysis

“`
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
Gsus4 (Isus4)

“`

Similar Chord Progressions

“Let it Be” by The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“F Major (IV)”,
“C Major (I)”,
“G Major (V)”,
“F Major (IV)”,
“C Major (I)”
“`

“Don’t Look Back in Anger” by Oasis: [‘C’, ‘G’, ‘Am’, ‘E’, ‘F’, ‘G’, ‘C’, ‘Am G’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“E Major (III, borrowed chord)”,
“F Major (IV)”,
“G Major (V)”,
“C Major (I)”,
“Am (vi)”,
“G Major (V)”
“`

Each of these songs shares a similar tonality with “Yellow,” sticking to major key chord progressions and containing the use of the IV and V chords from the major scale.

Musical Analysis

This type of chord progression is very common in pop music because it provides a strong pulling effect from the tonic (G Major) to the dominant (D Major), and then a softened passing by the subdominant (Cmaj7).

It’s worth noting that replacing the standard IV chord (C Major) with a IV7 (Cmaj7) adds a touch of sophistication and a lush quality to the sound, which reflects the dreamy, soft-rock vibe the band is known for.

Furthermore, the use of the Gsus4 chord adds more harmonic interest and suspense, as it lacks the leading tendency of the normative major chord.

Overall Analysis

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

Style Analysis

Coldplay often employs simple, effective harmonic structures underlying ethereal melodies and atmospheric instrumentation. The use of sus4 chord acts as a clever way to enhance the textural layer of the song and add an emotional richness—touching upon the sense of longing in the lyrics.

Chords in the Verse 2 section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]