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Related Music Theory Alchemy

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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Portishead – Glory Box – Verse 1

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Chord Progression

[‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’]

Chord Progression Analysis

“`
Dm (‘i’)
Dm/C (‘i with VII in bass’)
Bm7b5 (‘vi half-diminished 7’)
Bbmaj7 (‘VII Seventh Major’)
“`

Similar Chord Progressions

A similar chord progression can be found in Radiohead’s “Paranoid Android” where the verse progression is Cm, Cm/B, Bm7b5, Bb7. They share similar elements including the mixed usage of major 7, diminished 5 and chromatic scale.

An exact track with this same progression is unlikely due to the rather unique nature of the progression, but songs in the same genre may share a similar mood. You will find many songs with similar vibes in the trip-hop genre, for example Massive Attack’s “Teardrop”.

Musical Analysis

Starting with a Dm chord, the song immediately gives a minor key atmosphere. The use of the Dm/C transition chord adds more tension, leading into the Bm7b5 which is a half-diminished chord and further adds to the tension and dark coloring of the piece. Lastly, the Bbmaj7 seems like a satisfying resolution after the tension built up but being a major chord, it adds a slightly bitter-sweet touch.

Overall Analysis

“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.

Style Analysis

“Glory Box”, like many trip-hop songs from the 90s, uses chromaticism and a minor key to elicit a melancholic mood, and combines this with sampled beats and electronica influences to create a darker sound. The use of minor and diminished chords, dominant sevenths and transitions demonstrate the jazz and blues elements often found in the genre.

Chords in the Verse 1 section of Glory Box by Portishead are:

[‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’]