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Related Music Theory Alchemy

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

The Beatles – With A Little Help From My Friends – Verse 1

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Chord Progression

[‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]

Chord Progression Analysis

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For the verse: [‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]

“`
E Major (‘I’)
B Major (‘V’)
F# Minor (‘ii’) borrowed chord from E major
F# Minor (‘ii’) borrowed chord from E major
B Major (‘V’)
E Major (‘I’)

E Major (‘I’)
B Major (‘V’)
F# Minor (‘ii’) borrowed chord from E major
F# Minor (‘ii’) borrowed chord from E major
B Major (‘V’)
E Major (‘I’)
“`

The progression is a classic I-V-ii-ii progression repeated twice per line. The F#m is interesting as it is borrowed from E major, making it a borrowed chord or borrowed minor from the major key of the song.

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Similar Chord Progressions

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1. The Monkees, “I’m a Believer”: (I, IV, ii (borrowed), IV, I, IV, ii (borrowed), IV).

2. The Beach Boys, “God Only Knows”: (I, V, ii (borrowed), V, I, V, ii (borrowed), V)

Note that while these examples showcase a similar use of borrowed minor chords like that of The Beatles’ song, they employ it in their own unique pattern and sequence, yielding different melodic and harmonic results.

Musical Analysis

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The song has a moderate tempo and is set in a simple 4/4 time signature. It is accompanied by a repetitive drumbeat and piano accompaniment. The verses contain a consistent chord progression of E-B-F#m-F#m-B-E, which includes borrowed chords that add a layered and interesting dynamic to the piece of music.

In the context of the song, the F#m represents a shift in mood that complements the lyrics’ emotional content, while the alternating E and B major chords generate movement and harmonic interest throughout the song.

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Overall Analysis

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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Style Analysis

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Characteristic of The Beatles’ later work, “With A Little Help From My Friends” blends traditional pop harmonies with more complex chord progressions and subtle shifts in tone – a testament to their innovative and forward-thinking approach to composition. The overall tonal color of the song isn’t just about the chord progressions – it’s also about the arrangement, the instrumentation, and the vocal performance, all of which come together to create the distinctive “Beatles sound”.

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Chords in the Verse 1 section of With A Little Help From My Friends by The Beatles are:

[‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]