The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.
“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.
Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)
Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor
“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.
The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.
The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.
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