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Related Music Theory Alchemy

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.

Verse 1

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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MGMT – Time To Pretend – Verse 1

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Chord Progression

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D

Chord Progression Analysis

D Major (I) – G Major (IV) – D Major (I) – Dsus2

Implemented as:
“`
D Major (‘I’) – G Major (‘IV’) – D Major (‘I’) – Dsus2
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
Chord Progression:
“`
C Major (‘I’) – G Major (‘IV’) – A Minor (‘vi’) – F Major (‘IV’)
“`

2. Oasis – “Wonderwall”
Chord Progression:
“`
E Minor (‘ii’) – G Major (‘IV’) – D Major (‘I’) – A Major (‘V’)
“`

3. David Bowie – “Heroes”
Chord Progression:
“`
D Major (‘I’) – G Major (‘IV’) – B Minor (‘vi’) – G Major (‘IV’)
“`

While these chord progressions are not exactly the same as “Time To Pretend,” they share some similarities with the use of the I-IV relationship, and they showcase examples of how this simple relationship can be used to create memorable songs in various genres.

Musical Analysis

The verse of “Time To Pretend” can be divided into four repetitions of the same chord progression. The D Major chord is the tonic chord in the key of D major, which provides a sense of stability and grounding. The G Major chord is the subdominant chord (IV), which adds some tension that is later resolved back to the tonic chord (D Major). The addition of Dsus2 serves to create a sense of intrigue or suspension due to the combination of two tones (D and E) that can be heard simultaneously, contributing to the dreamy quality of the song.

Overall Analysis

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

Style Analysis

As previously mentioned, “Time To Pretend” features a psychedelic synth-pop style. The song is characterized by rich synth layers, hypnotic melodies, and evocative lyrics that transport the listener into a dreamy, otherworldly state. The chord progression, while seemingly simple, provides the foundation for these stylistic elements to shine through.

Chords in the Verse 1 section of Time To Pretend by MGMT are:

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D