Daniel Caesar – Get You – Verse 1
Get You < All Analyses
Chord Progression
Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7
Chord Progression Analysis
Em (i), F#m7 (ii7), Bm (v), A7 (IV7), Em (i), F#m7 (ii7), Bm (v), A7 (IV7), Em (i), F#m7 (ii7), Bm (v), A7 (IV7), Em (i), F#m7 (ii7), Bm (v), A7 (IV7)
Borrowed Chord:
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A7 (IV7 – borrowed from E major)
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Similar Chord Progressions
1. “On & On” by Erykah Badu
Em9 (i9), Gmaj7 (III7), A7sus4 (IV7sus4), A7 (IV7)
2. “Ordinary People” by John Legend
Em7 (i7), Bm7 (v7), A7 (IV7), Dmaj7 (VII7)
3. “Put It All On Me” by Ed Sheeran ft. Ella Mai
Em (i), F#m7 (ii7), Bm (v), A7 (IV7)
Musical Analysis
The chord progression in “Get You” revolves around a common tonic (i) – predominant (iv or ii7) – dominant (v) – borrowed subdominant (IV7) cycle in E minor. The progression starts with the tonic Em chord, then moves to the diatonic F#m7 (ii7) chord, which serves as the predominant. The dominant, a Bm (v) chord, follows before resolving to a borrowed chord, A7 (IV7), originated from the parallel major (E major) and serves to enhance the harmonic pull back to the tonic. This entire sequence is repeated four times throughout Verse 1.
Overall Analysis
The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.
Style Analysis
“Get You” by Daniel Caesar is a prime example of contemporary R&B and neo-soul music. The chords, along with Caesar’s smooth vocal style and intimate lyrics, create a romantic and emotive atmosphere. The use of diatonic seventh chords and the borrowed major subdominant (IV7) contribute to the lush harmonic texture typical of the neo-soul genre.
What are the chords in: Daniel Caesar – Get You – Verse 1?
Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7
