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The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

Daniel Caesar – Get You – Verse 4

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, Em

Chord Progression Analysis

– E minor (i)
– F# minor 7 (ii7)
– B minor (v)
– A7 (IV7)
– E minor (i)
– F# minor 7 (ii7)
– B minor (v)
– E minor (i)

“`F#m7, A7“`

Similar Chord Progressions

1. D’Angelo – Untitled (How Does It Feel)

– B minor 7 (i7)
– Bb7 (bVII7)
– A7 (VI7)
– B minor 7 (i7)

2. Amy Winehouse – Love Is A Losing Game

– D minor (i)
– G minor 7 (iv7)
– D minor (i)
– E7 (II7)
– A7 (V7)
– D minor (i)

In both examples, the artists employ non-diatonic chords and borrow chords from parallel modes, much like the progression found in “Get You.” This creates a lush harmonic structure that is characteristic of R&B and neo-soul.

Musical Analysis

The progression starts with E minor (i), which naturally sets a minor tonality. The following F# minor 7 (ii7) chord, borrowed from the parallel dorian mode, offers a rich, jazzy, and smooth character to the progression. The B minor (v) adds a sense of tension before resolution, while the A7 (IV7) acts as a secondary dominant to lead back to E minor. The progression then repeats the i, ii7, v pattern but ends on the tonic (i) to complete the verse.

Overall Analysis

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

Style Analysis

Daniel Caesar’s “Get You” pulls together elements from R&B, jazz, and neo-soul genres. The use of the minor ii7 chord borrowed from the parallel dorian mode is a common technique in jazz, providing a dreamy, harmonically rich character to the progression. The choice of chords, combined with his smooth vocal style and the easygoing groove, places this progression within the realm of R&B and neo-soul.

Chords in the Verse 4 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, Em