Daniel Caesar – Get You – Verse 4
Get You < All Analyses
Chord Progression
Em, F#m7, Bm, A7, Em, F#m7, Bm, Em
Chord Progression Analysis
– E minor (i)
– F# minor 7 (ii7)
– B minor (v)
– A7 (IV7)
– E minor (i)
– F# minor 7 (ii7)
– B minor (v)
– E minor (i)
“`F#m7, A7“`
Similar Chord Progressions
1. D’Angelo – Untitled (How Does It Feel)
– B minor 7 (i7)
– Bb7 (bVII7)
– A7 (VI7)
– B minor 7 (i7)
2. Amy Winehouse – Love Is A Losing Game
– D minor (i)
– G minor 7 (iv7)
– D minor (i)
– E7 (II7)
– A7 (V7)
– D minor (i)
In both examples, the artists employ non-diatonic chords and borrow chords from parallel modes, much like the progression found in “Get You.” This creates a lush harmonic structure that is characteristic of R&B and neo-soul.
Musical Analysis
The progression starts with E minor (i), which naturally sets a minor tonality. The following F# minor 7 (ii7) chord, borrowed from the parallel dorian mode, offers a rich, jazzy, and smooth character to the progression. The B minor (v) adds a sense of tension before resolution, while the A7 (IV7) acts as a secondary dominant to lead back to E minor. The progression then repeats the i, ii7, v pattern but ends on the tonic (i) to complete the verse.
Overall Analysis
The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.
Style Analysis
Daniel Caesar’s “Get You” pulls together elements from R&B, jazz, and neo-soul genres. The use of the minor ii7 chord borrowed from the parallel dorian mode is a common technique in jazz, providing a dreamy, harmonically rich character to the progression. The choice of chords, combined with his smooth vocal style and the easygoing groove, places this progression within the realm of R&B and neo-soul.
What are the chords in: Daniel Caesar – Get You – Verse 4?
Em, F#m7, Bm, A7, Em, F#m7, Bm, Em
