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The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

The piece “See You Again,” written by Tyler, The Creator, features a harmonically rich and somewhat unexpected chord progression. It steps away from traditional diatonic harmony, and instead experiments with the use of borrowed chords, particularly through the incorporation of the F#(b5) chord. This results in a unique and distinctive sound to the piece, as it mixes a sense of tension and resolution through the progression.

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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Tyler, The Creator – Gone Gone – Interlude

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Chord Progression

D, A, C, G, B, Gb, A, E

Chord Progression Analysis

D Major (I), A Major (V), C Major (♭VII), G Major (IV), B Major (VI), G♭ Major (♭III), A Major (V), E Major (II)

Borrowed Chord:
`G♭ Major (♭III)`

Similar Chord Progressions

While it is challenging to find an exact match for this unique chord progression by Tyler, The Creator, some artists have employed chord progressions that share similarities in terms of the unique mix of expected and unexpected chord movements. One such example is “Paranoid Android” by Radiohead:

C Minor (i), E♭ Major (III), B♭ Major (V), A♭ Major (IV), G Major (♭III), E♭ Major (III), B♭ Major (V)

Another example is “Polythene Pam” by The Beatles:

E Major (I), G Major (♭III), A Major (IV), B Major (V), C Major (♭VI), A Major (IV)

Musical Analysis

This chord progression begins with a D Major chord, which establishes D as the tonal center. It then moves to A Major, which is the V chord of D, a very common and stable movement. Next comes C Major, which is the ♭VII chord, a frequently used borrowed chord in popular music. After that, the progression moves to G Major, the IV chord, another quite common movement.

The progression takes an exciting turn here, moving to B Major as the VI chord. This transition lifts the sound and adds a sense of brightness to the music. The following chord, G♭ Major, is a borrowed chord and is particularly unusual, as it is the ♭III in the key of D. It adds an unexpected and unique twist to the progression, and is quite rare in popular music. The progression then returns to A Major, the V chord, before ending on E Major, the II chord, which gives a sense of unpredictability and openness.

Overall Analysis

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

Style Analysis

Tyler, The Creator is known for his experimental and genre-blending approach to music, and the chord progression in this interlude is no exception. The combination of common movements with unexpected chord choices, like the G♭ Major, gives the interlude an innovative and unique feel that sets it apart from traditional song structures. It could be said that this chord progression is a reflection of Tyler’s creativity and bold musical choices.

Chords in the Interlude section of Gone Gone by Tyler, The Creator are:

D, A, C, G, B, Gb, A, E