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Related Music Theory Alchemy

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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Tyler, The Creator – Gone Gone – Interlude

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Chord Progression

D, A, C, G, B, Gb, A, E

Chord Progression Analysis

D Major (I), A Major (V), C Major (♭VII), G Major (IV), B Major (VI), G♭ Major (♭III), A Major (V), E Major (II)

Borrowed Chord:
`G♭ Major (♭III)`

Similar Chord Progressions

While it is challenging to find an exact match for this unique chord progression by Tyler, The Creator, some artists have employed chord progressions that share similarities in terms of the unique mix of expected and unexpected chord movements. One such example is “Paranoid Android” by Radiohead:

C Minor (i), E♭ Major (III), B♭ Major (V), A♭ Major (IV), G Major (♭III), E♭ Major (III), B♭ Major (V)

Another example is “Polythene Pam” by The Beatles:

E Major (I), G Major (♭III), A Major (IV), B Major (V), C Major (♭VI), A Major (IV)

Musical Analysis

This chord progression begins with a D Major chord, which establishes D as the tonal center. It then moves to A Major, which is the V chord of D, a very common and stable movement. Next comes C Major, which is the ♭VII chord, a frequently used borrowed chord in popular music. After that, the progression moves to G Major, the IV chord, another quite common movement.

The progression takes an exciting turn here, moving to B Major as the VI chord. This transition lifts the sound and adds a sense of brightness to the music. The following chord, G♭ Major, is a borrowed chord and is particularly unusual, as it is the ♭III in the key of D. It adds an unexpected and unique twist to the progression, and is quite rare in popular music. The progression then returns to A Major, the V chord, before ending on E Major, the II chord, which gives a sense of unpredictability and openness.

Overall Analysis

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

Style Analysis

Tyler, The Creator is known for his experimental and genre-blending approach to music, and the chord progression in this interlude is no exception. The combination of common movements with unexpected chord choices, like the G♭ Major, gives the interlude an innovative and unique feel that sets it apart from traditional song structures. It could be said that this chord progression is a reflection of Tyler’s creativity and bold musical choices.

Chords in the Interlude section of Gone Gone by Tyler, The Creator are:

D, A, C, G, B, Gb, A, E