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The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“Take Me Home Country Roads” is written in G major. The song is characterized by a strong, consistent beat and a simple, memorable melody which are typical characteristics associated with country and folk music. The progression follows a predictable sequence, also typical of these genres, and contributes to the song’s classic, feel.

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

Tyler, The Creator – See You Again – Verse 1

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Chord Progression

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5

Chord Progression Analysis

The verse contains a rich sound due to the use of major and minor seventh chords. The use of borrowed chords and chromaticism highlights Tyler, The Creator’s inclination towards both jazz harmonies and pop songwriting. The use of the chromatic Fmaj7 chord often leaves the listener waiting for a resolution, and the return to the tonic F#maj7 provides a sense of relief.

Similar Chord Progressions

Musical Analysis

Tyler, The Creator is known for taking musical influences from various genres and blending them together. The jazz-influenced harmonies in “See You Again” are an example of Tyler’s eclecticism. This particular chord progression showcases a distinct pop structure that leans into the harmonic unpredictability of jazz, providing a unique and engaging listening experience.

Overall Analysis

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

Style Analysis

1. “I’ll Be Seeing You” by Billie Holiday
(Verse only)
– Fmaj7 (I)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– Am7 (iii7)
– Am7/D (iii7/VI)
– Dm7 (vi7)
– Dm7/G (vi7/ii)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– C7 (V7)
– Fmaj7 (I)

2. “Misty” by Erroll Garner (Verse only)
– Cmaj7 (I)
– Cmaj7/B (I6)
– Am7 (vi7)
– Am7/G (vi7/IV)
– Dm7 (ii7)
– Dm7/C (ii7/V)
– G7 (V7)
– Cmaj7 (I)

These examples capture some elements of Tyler, The Creator’s chord progression but vary in specific details. In both examples, the use of predominant seventh chords, chromaticism and borrowed chords can be observed, similarly highlighting the influences of jazz harmonies with pop sensibilities.

Chords in the Verse 1 section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5