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Related Music Theory Alchemy

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

Tyler, The Creator – See You Again – Chorus

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Chord Progression

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5

Chord Progression Analysis

F#maj7 (Imaj7) – F#maj7/B (Imaj7/5) – Fmaj7 (bImaj7) – G#m7 (iiø7) – D7#5 (bVI7) – F#maj7 (Imaj7) – F#maj7/B (Imaj7/5) – Fmaj7 (bImaj7) – G#m7 (iiø7) – D7#5 (bVI7)

“` Borrowed Chord: Fmaj7 (bImaj7) “`

Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord Progression: Cmaj7 (Imaj7) – C#dim7 (iio7) – Dm7 (ii7) – G13 (V13) – Cmaj9 (Imaj9) – Dm9 (ii9) – G13sus (V13sus) – G13 (V13)

2. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: Amaj7 (Imaj7) – C#m7 (iii7) – Bm7 (ii7) – E9 (V9)

Both of these examples feature rich harmonic textures, smooth voice leading, and chromatic movement, which are similar characteristics found in the chord progression of “See You Again.” Additionally, they share a neo-soul and contemporary R&B sound, making them appropriate comparisons.

Musical Analysis

In this progression, we begin with the F#maj7 (Imaj7) chord, which establishes the tonal center. The F#maj7/B is an inversion of the Imaj7 chord and serves to create a smooth bass movement.

The first borrowed chord is Fmaj7 (bImaj7) from the parallel minor key (F# minor). This chromatic movement adds an unexpected twist and some tension to the progression.

Moving to G#m7 (iiø7) represents a return to diatonic harmony. The following chord, D7#5 (bVI7, an altered dominant), functions as a secondary dominant to the Imaj7, adding tension that resolves to the starting F#maj7 chord.

The second half of the progression repeats the same sequence, solidifying the harmonic pattern and providing a satisfying sense of resolution by the end.

Overall Analysis

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

Style Analysis

Tyler, The Creator’s “See You Again” features a neo-soul and contemporary R&B sound, with lush voicings, smooth voice leading, and chromatic movement. The use of borrowed chords and altered dominants is a common aspect of jazz-influenced R&B and neo-soul music, which often experiment with unexpected harmonic choices.

Chords in the Chorus section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5