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Related Music Theory Alchemy

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

“Take Me Home Country Roads” is written in G major. The song is characterized by a strong, consistent beat and a simple, memorable melody which are typical characteristics associated with country and folk music. The progression follows a predictable sequence, also typical of these genres, and contributes to the song’s classic, feel.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

Keane – Somewhere Only We Know – Verse 1

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Here is the analysis of the chord progression taken from Verse 1:
C Major (I),
C/B (I/II),
Dm (ii),
Gsus4 (V),
G (V),
C Major (I),
C/B (I/II),
Dm (ii),
Gsus4 (V),
G (V)

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Borrowed chords: None
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There are no borrowed chords in this particular progression as all chords are diatonic to C Major/A minor key (C Major and A Minor share the same key signature).

Similar Chord Progressions

A similar chord progression can be seen in Coldplay’s “Yellow,” which also employs the frequent use of I, ii and V chords:

D (I), Bm7 (vi), F#m7 (iii), G (IV), D (I), Asus4 (V), G (I)

Another similar chord progression is John Mayer’s “Your Body is A Wonderland,” especially in the use of the I, ii, and V chords:

G Major (I), D Major (V),
Em7 (vi), Cadd9 (IV),
G Major (I), D Major (V),
Em7 (vi), Cadd9 (IV)

It should be noted that while these progressions have a similar outline to that of Keane’s verse progression, there are nuanced differences in each that may alter the mood or feeling of each song.

Musical Analysis

The chord progression mainly functions around the I-ii-V progression, which is a common progression in both classical and popular music. This verse is strongly anchored by the changes between C major and D minor, a dynamic relationship that creates a pull towards resolution. Interestingly, they used a Gsus4 before moving to G, adding a nice color to the progress before resolution.

Overall Analysis

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

Style Analysis

Keane’s “Somewhere Only We Know” chord progression follows a classic pop-ballad style, with use of the I-ii-V progression that is commonly heard in many popular music genres such as pop, rock, and jazz. It also includes a suspended chord (Gsus4), which is a common technique used in pop music to create tension and release.

Chords in the Verse 1 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]