Music Theory Alchemy

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The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

Tyler, The Creator – Gone Gone – Post-Chorus

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Chord Progression

Bb, Dm, Gm, F#m7

Chord Progression Analysis

The full chord names with their Roman numerals for the progression (in the key of G Minor) are:

B♭ Major (“IV”),
D Minor (“vi”),
G Minor (“i”),
F♯ Minor 7 (“♯viiø7”)

Borrowed chord: The F♯ Minor 7 (♯viiø7) can be considered a borrowed chord from the G Harmonic minor scale.

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
Progression: Cm7 (“i7”), Bb (“III”), Eb (“VI”), Gm (“i”), F#o (“vii°7”)

2. Frank Ocean – “Provider”
Progression: Bb (“IV”), Gm (“v”), Eb (“III”), F#o (“vii°7”)

These examples of similar chord progressions showcase Tyler, The Creator’s place among other artists known for pushing the envelope when it comes to harmony and progression choices. They also demonstrate the importance of jazz and unconventional harmony in contemporary popular music.

Musical Analysis

The progression starts with a standard IV (subdominant) chord, which has a somewhat a stable feeling. This is followed by the vi, a relative minor of the subdominant, creating a mild tension. The next chord, i, is the tonic, which typically provides a sense of resolution, but the progression takes an unexpected turn – the F#m7 (♯viiø7) adds more tension before the progression loops back to the beginning. This borrowed chord creates an interesting impression of a blend of emotions, ranging from stability to unresolved tension.

Overall Analysis

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

Style Analysis

Tyler, The Creator’s style incorporates several genres, and this chord progression is no exception. The use of a borrowed chord and mild tension between the chords show his love for unconventional progressions, which can be seen as an influence from jazz and alternative music. His choice to use the ♯viiø7 chord gives the progression a slightly darker and more complex feel, a quality often found in his works.

Chords in the Post-Chorus section of Gone Gone by Tyler, The Creator are:

Bb, Dm, Gm, F#m7