Tyler, The Creator – Gone Gone – Chorus
Gone Gone < All Analyses
Chord Progression
Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm, Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm
Chord Progression Analysis
“`
– Bb Major (I)
– D minor (iii)
– G minor (vi)
– F#m7 (bvi7)
– Eb Major (IV)
– D minor (iii)
– Eb Major (IV)
– D minor (iii)
– Eb Major (IV)
– D minor (iii)
– Eb Major (IV)
– D minor (iii)
– Bb Major (I)
– D minor (iii)
– G minor (vi)
– F#m7 (bvi7)
– Eb Major (IV)
– D minor (iii)
– Eb Major (IV)
– D minor (iii)
– Eb Major (IV)
– D minor (iii)
– Eb Major (IV)
– D minor (iii)
“`
“`F#m7` is a borrowed chord.“`
Similar Chord Progressions
1. Stevie Wonder – “Isn’t She Lovely”
“`
– Db Major (I)
– Ab minor (v)
– Gb Major (IV)
– F minor (iii)
– Bb minor (vi)
– Eb minor (ii)
– Ab7 (V7)
“`
2. D’Angelo – “Untitled (How Does It Feel)”
“`
– C Major (I)
– A minor (vi)
– D minor (ii)
– G Major (V)
– F Major (IV)
– F minor (iv)
“`
These progressions are similar in that they also feature a blend of diatonic and non-diatonic chords, and they incorporate elements of jazz and R&B styles. While not identical, they share some harmonic concepts and stylistic elements with the chord progression in “Gone Gone.”
Musical Analysis
The progression begins with a standard I-iii-vi sequence, setting the tonality and establishing the Bb major key. The F#m7 chord is a borrowed chord from the parallel minor key (Bb minor) and creates harmonic interest and tension. The following sequences of Eb Major and D minor chords further develop the progression, with the alternation between these chords adding a sense of heightened energy. The Eb Major is a subdominant IV chord which is then followed by the D minor iii chord. This pattern repeats several times before returning to the initial I-iii-vi sequence. The F#m7 chord, being a borrowed chord, creates emotional depth and contrasting colors in the harmony.
Overall Analysis
The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.
Style Analysis
The style of this chord progression is influenced by jazz and R&B, which are known for incorporating complex harmonic structures and non-diatonic chords. Tyler, The Creator often experiments with different musical styles, and “Gone Gone” showcases his diverse influences and unique approach to songwriting. The progression’s complexity and richness are characteristic of Tyler’s innovative and distinctive sound.
What are the chords in: Tyler, The Creator – Gone Gone – Chorus?
Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm, Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm
