The Beatles – Dont Let Me Down – CHORUS
Dont Let Me Down < All Analyses
Chord Progression
[‘E’, ‘F#m’, ‘F#m7’, ‘Amaj7/B’, ‘E’, ‘F#m’, ‘F#m7’, ‘Amaj7/B’, ‘Esus4’, ‘E’]
Chord Progression Analysis
E (I), F#m (ii), F#m7 (ii7), Amaj7/B (IV7/5), E (I), F#m (ii), F#m7 (ii7), Amaj7/B (IV7/5), Esus4 (Isus4), E (I)
Below are the full chord names along with their roman numerals as per your request:
“`shell
E Major (‘I’)
F# Minor (‘ii’)
F# Minor Seventh (‘ii7’)
A Major Seventh over B, also known as A Major Seventh with B in the bass (‘IV7/5’)
E Major (‘I’)
F# Minor (‘ii’)
F# Minor Seventh (‘ii7’)
A Major Seventh over B, also known as A Major Seventh with B in the bass (‘IV7/5’)
E Suspended Fourth (‘Isus4’)
E Major (‘I’)
“`
Similar Chord Progressions
Okay, now let’s look at a few other songs that demonstrate
Musical Analysis
The Beatles often used borrowed chords in their music, but in this chorus, there are no borrowed chords, instead they’ve got the simple diatonic chords (I, ii, IV) and common secondary chords like the ii7 and IV7/5. The use of the slash chord, Amaj7/B, creates a suspension feeling before resolving back to E major. The Esus4 chord is a common device to create tension before resolution to E Major.
Overall Analysis
As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.
Style Analysis
In terms of the Beatles’s style, this chord progression is quite representative of their later, more experimental period. The combination of simple major and minor chords with more complex seventh and suspended chords is very characteristic of their style. This harmonic complexity, combined with their strong melodic writing, is one of the reasons why their music is often used to demonstrate advanced concepts in pop music theory.
What are the chords in: The Beatles – Dont Let Me Down – CHORUS?
[‘E’, ‘F#m’, ‘F#m7’, ‘Amaj7/B’, ‘E’, ‘F#m’, ‘F#m7’, ‘Amaj7/B’, ‘Esus4’, ‘E’]
