Music Theory Alchemy

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As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

The Beatles – Dont Let Me Down – BRIDGE

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Chord Progression

[‘E’, ‘B’, ‘B7’, ‘E’]

Chord Progression Analysis

– E Major (I)
– B Major (V)
– B7 Major (V7)
– E Major (I)

Any borrowed chord would be indicated by parentheses with a “b”, for instance, (bIII) would denote a borrowed minor III from the parallel minor key. However, in this progression, there are no borrowed chords, as all the chords listed are diatonic to the key of E Major.

Similar Chord Progressions

1. “Sweet Child ‘O Mine” by Guns N Roses. The song also exhibits a similar V-I progression:
– D Major (I)
– A Major (V)
– A7 Major (V7)
– D Major (I)

2. “Creep” by Radiohead. Similar use of a major V7 chord to add tension before resolving back to the tonic:
– G Major (I)
– B Major (III)
– B7 Major (III7)
– G Major (I)

All these songs show how a dominant seventh chord can be employed to evoke emotion, drive melody, and resolve tension in a composition.

Musical Analysis

This is a textbook example of a V-I progression, which is fundamental in Western music. It creates a powerful harmonic movement with a sense of finality, also known as a perfect cadence.

The B7 Major chord is often called a “dominant seventh” chord because it is built from the fifth note (the dominant) of the scale. In this case, it acts as a secondary dominant, seeking to resolve to E Major. This gives the progression a bluesy, tension-filled character before it finally resolves back to the tonic chord.

Overall Analysis

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Style Analysis

The Beatles often employed seventh chords to add a sense of tension and release within their compositions. This progression somewhat echoes the progression in their earlier song “I Want to Hold Your Hand,” wherein The Beatles use a D7 as a dominant chord to tightly resolve back to G Major.

Chords in the Bridge section of Dont Let Me Down by The Beatles are:

[‘E’, ‘B’, ‘B7’, ‘E’]