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Related Music Theory Alchemy

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

“Maxwell’s Silver Hammer” by The Beatles features a popular song structure and a mix of common chord progression techniques. The distinct progressions within the verse repeat throughout the song, but the chords and structures themselves are fairly common within rock and pop music. It mixes the standard I-IV-V (in this case, D-A-G) progression with the ii-V-I progression (in this case, Em-A-D), both of which are staples of songwriting in a variety of genres.

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

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The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

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The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

The Beatles – For No One – Chorus

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Chord Progression

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> Gsus4 (IV) -> G (IV)

Borrowed Chords:
“`
Gsus4, G (From G Major)
“`

Similar Chord Progressions

1. “Fly Me To The Moon” by Frank Sinatra has a similar cyclical progression between minor and dominant 7th chords.

[`Am (i) -> Dm7 (iv) -> G7 (VII) -> Cmaj7 (III)`]

2. Another song with a similar harmonic approach is Radiohead’s “Exit Music (For a Film)”, especially with the use of both major and minor chords for tension and release.

[`C (I) -> Bm (ii) -> F#(V) -> G (VI) -> Dm (ii) -> Am (i) -> E7 (V7) -> Am (i)`]

These examples demonstrate how alternating between the minor tonic and a dominant 7th chord can result in captivating, emotionally resonant music across different genres and eras.

Musical Analysis

The repetitious pattern of Dm and A7 creates a sense of tension and resolution, with Dm serving as the tonic chord and A7 as the dominant chord, creating a pull back to the tonic. The Gsus4 and G are interesting as they’re from D minor’s relative major, G Major, which gives a brighter feel for a moment before returning back to the D minor tonality.

Overall Analysis

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Style Analysis

“For No One” stands out due to its Baroque pop influences, a style that was unique among The Beatles’ discography. This is evident in the use of the clavichord and French horn, which alongside the sophisticated, emotionally-charged chord progressions give the song a distinctive melancholic and nostalgic character.

Chords in the Chorus section of For No One by The Beatles are:

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]