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The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

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The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

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The Beatles – For No One – Chorus

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Chord Progression

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> Gsus4 (IV) -> G (IV)

Borrowed Chords:
“`
Gsus4, G (From G Major)
“`

Similar Chord Progressions

1. “Fly Me To The Moon” by Frank Sinatra has a similar cyclical progression between minor and dominant 7th chords.

[`Am (i) -> Dm7 (iv) -> G7 (VII) -> Cmaj7 (III)`]

2. Another song with a similar harmonic approach is Radiohead’s “Exit Music (For a Film)”, especially with the use of both major and minor chords for tension and release.

[`C (I) -> Bm (ii) -> F#(V) -> G (VI) -> Dm (ii) -> Am (i) -> E7 (V7) -> Am (i)`]

These examples demonstrate how alternating between the minor tonic and a dominant 7th chord can result in captivating, emotionally resonant music across different genres and eras.

Musical Analysis

The repetitious pattern of Dm and A7 creates a sense of tension and resolution, with Dm serving as the tonic chord and A7 as the dominant chord, creating a pull back to the tonic. The Gsus4 and G are interesting as they’re from D minor’s relative major, G Major, which gives a brighter feel for a moment before returning back to the D minor tonality.

Overall Analysis

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Style Analysis

“For No One” stands out due to its Baroque pop influences, a style that was unique among The Beatles’ discography. This is evident in the use of the clavichord and French horn, which alongside the sophisticated, emotionally-charged chord progressions give the song a distinctive melancholic and nostalgic character.

Chords in the Chorus section of For No One by The Beatles are:

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]