Music Theory Alchemy

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“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

The song “Space Oddity” by David Bowie features a complex and varied chord progression that incorporates elements of both traditional and experimental popular music. The song is in the key of C Major, and its progression is characterized by the use of modal interchange, or the borrowing of chords from parallel scales. This is indicative of Bowie’s varied musical influences, combining elements of folk, rock, and pop while also incorporating experimental techniques associated with progressive rock.

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Radiohead – Creep – Chorus

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Chord Progression

G, B, C, Cm, G

Chord Progression Analysis

“`
G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
“`

Similar Chord Progressions

1. “All I Want” by Joni Mitchell
“`
D major (I)
F# major (III)
G major (IV)
G minor (iv)
D major (I)
“`

2. “Space Oddity” by David Bowie (in the verses)
“`
C major (I)
E major (III)
F major (IV)
F minor (iv)
C major (I)
“`

These examples show the same chord progression structure as “Creep,” highlighting the tonal shift from major to minor on the (IV) chord – an unexpected and distinct harmonic feature in these songs.

Musical Analysis

The chorus of “Creep” utilizes a simple rise and fall of chord progressions to create a sense of tension that is finally resolved at the end of the progression. The G major chord acts as the home key or tonic, establishing the listener’s sense of safety and stability.

The B major, a borrowed chord from the parallel key of G Lydian, adds tension as the III chord, with the C major chord acting as the subdominant (IV). The C minor chord is the most striking part of this progression, as it is borrowed from the parallel minor key of G minor, adding dissonance and a feeling of uncertainty when contrasted with the preceding C major chord. This technique of borrowing chords is known as modal interchange or modal mixture. Finally, the progression returns back to the tonic G major, providing a resolution and closing the progression.

Overall Analysis

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

Style Analysis

The use of borrowed chords in “Creep” is characteristic of not just Radiohead’s style, but also of the broader alternative rock genre. This approach to harmony adds complexity, depth, and emotional resonance to the music. The chord progression in “Creep” is particularly memorable due to the resolution from the unexpected C minor back to the G major.

Chords in the Chorus section of Creep by Radiohead are:

G, B, C, Cm, G