Search

Related Music Theory Alchemy

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

Radiohead – Creep – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, B, C, Cm, G

Chord Progression Analysis

“`
G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
“`

Similar Chord Progressions

1. “All I Want” by Joni Mitchell
“`
D major (I)
F# major (III)
G major (IV)
G minor (iv)
D major (I)
“`

2. “Space Oddity” by David Bowie (in the verses)
“`
C major (I)
E major (III)
F major (IV)
F minor (iv)
C major (I)
“`

These examples show the same chord progression structure as “Creep,” highlighting the tonal shift from major to minor on the (IV) chord – an unexpected and distinct harmonic feature in these songs.

Musical Analysis

The chorus of “Creep” utilizes a simple rise and fall of chord progressions to create a sense of tension that is finally resolved at the end of the progression. The G major chord acts as the home key or tonic, establishing the listener’s sense of safety and stability.

The B major, a borrowed chord from the parallel key of G Lydian, adds tension as the III chord, with the C major chord acting as the subdominant (IV). The C minor chord is the most striking part of this progression, as it is borrowed from the parallel minor key of G minor, adding dissonance and a feeling of uncertainty when contrasted with the preceding C major chord. This technique of borrowing chords is known as modal interchange or modal mixture. Finally, the progression returns back to the tonic G major, providing a resolution and closing the progression.

Overall Analysis

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

Style Analysis

The use of borrowed chords in “Creep” is characteristic of not just Radiohead’s style, but also of the broader alternative rock genre. This approach to harmony adds complexity, depth, and emotional resonance to the music. The chord progression in “Creep” is particularly memorable due to the resolution from the unexpected C minor back to the G major.

Chords in the Chorus section of Creep by Radiohead are:

G, B, C, Cm, G