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Related Music Theory Alchemy

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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Elton John – Dont Let The Sun Go Down On Me – Chorus

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Chord Progression

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]

Chord Progression Analysis

Here is an analysis of the repeating chorus sequence and the Roman numerals (relative to the key of C Major).

“`
C (I) – C/Bb (I7) – F/A (IV6) – D7/F# (V7 of ii with 3rd in bass) – C/G (I64) – F/C (IV64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Dm (ii) – C/E (I6) – F (IV) – C/G (I64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Ab6 (bVI6, borrowed from C minor) – Bb (bVII, also borrowed from minor) – C (I)
“`
Note that C/Bb, described as I7 here, is more accurately a chromatically descending bass line within the tonic chord.

Similar Chord Progressions

The progression employed in this track is unique and shows Elton John’s specific style. However, there are other songs which have similarities. The sequential use of diatonic and chromatic chords can be found in the Beatles’ music, for instance, they frequently used chromatic mediant relationships, secondary dominant chords and borrowed chords, which is reflected in songs like “In My Life” and “I Want to Hold Your Hand”. You can also consider Billy Joel’s “New York State of Mind” for the use of rich and inventive harmonic structures. Still, these are not exact matches but share some stylistic consistencies.

Musical Analysis

The use of seventh and sixth chords, inverted chords, and borrowed chords from the parallel minor aid in creating a sense of tension, release, and musical interest through an otherwise relatively straightforward progression. The descending bass line in the first couplet of the chorus creates a ‘falling’ or ‘sinking’ sensation which ties into the theme of despair in the lyrics.

Overall Analysis

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

Style Analysis

Elton John often displays a fondness for complex chord changes and sophisticated harmonies in his music. This song continues this trend with its unexpected shifts, like the transition to the D7/F#, typically used as secondary dominant to the ii chord, and the borrowed chords.

Chords in the Chorus section of Dont Let The Sun Go Down On Me by Elton John are:

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]