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The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

Muse – Apocalypse Please – Chorus

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Chord Progression

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#

Chord Progression Analysis

F#m (i), D/F# (VI/♭), E/G# (ii), Eaug/G# (ii+), A (III), C# (V/♭), A (III), C# (V/♭)

Similar Chord Progressions

Musical Analysis

This progression starts with the tonic minor chord, F#m, which provides a stable base. The second chord, D/F#, is a borrowed chord from the parallel major key of F# major. This sets up an interesting juxtaposition of the minor and major tonalities. The progression then moves to E/G#, which is the ii chord, followed by Eaug/G# (ii+), creating tension and anticipation.

The next chord, A, serves as the III in the given progression. It acts as a pivot chord in the modulation to the key of A major, the relative major of F# minor. The subsequent C# chord is a V/♭ chord borrowed from A major’s parallel minor key, A minor. The progression then returns to A and C# to reinforce the modulation to A major (by functioning as III and V/♭ once again respectively).

Style Notes:
Muse’s signature style often consists of dramatic chord progressions and bold harmonic shifts, as can be seen in this progression. The mix of diatonic chords and borrowed chords adds to the complexity and richness of the harmonic language. Muse’s inclusion of inversion and an augmented chord also creates an interesting texture and a pull toward resolution, fitting well with the song’s apocalyptic theme.

Overall Analysis

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

Style Analysis

1. Radiohead – “Paranoid Android”
Dm (i), G (IV), C (VII), Bb (♭VI), F/A (III), A7 (V/♭)

2. The Beatles – “Strawberry Fields Forever”
A (i), C#m (iii), F#m (vi), G (VII/♭), D (IV), E (V), A (i)

These songs, just like Muse’s “Apocalypse Please,” feature a blend of diatonic and borrowed chords which create dynamic harmonic movement. They also incorporate modulation, showcasing the artists’ use of complex progressions to elicit emotional and atmospheric responses.

Chords in the Chorus section of Apocalypse Please by Muse are:

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#