Search

Related Music Theory Alchemy

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Prince – Kiss – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘E5’, ‘D5’, ‘E5’, ‘D5’, ‘E9sus4’, ‘A5’]

Chord Progression Analysis

Here are the full chord names with their Roman numerals:

E5 (I)
D5 (bVII)
E5 (I)
D5 (bVII)
E9sus4 (more like a E dominant 9 sus4 – not directly part of the Mixolydian/D Major scale)
A5 (IV)

Note: Since E Mixolydian could also be related to A Major, the D5 might be considered as a borrowed chord from A Major.

Similar Chord Progressions

One good example of similar chord progression can be seen in “Learn To Fly” by Foo Fighters. The track uses similar power chords and follows a progression in the key of B Major.

B5 (I)
A5 (bVII)
E5 (IV)
G5 (VI)

“Sweet Home Alabama” by Lynyrd Skynyrd also follows a similar progression but in the key of G Major.

G5 (I)
D5 (V)
Cmaj7 (IV)

Both of these songs utilize similar techniques of fluctuating between I and bVII with usage of power chords (especially the bVII power chord, which gives similar bluesy feel).

Musical Analysis

Prince uses a mix of fifth chords (also known as power chords) and an extended chord (E9sus4). The usage of the 9sus4 chord is crucial in adding tension and then resolved to the next chord A5, this chords pattern creates distinctive groove and energy that suits the funky style of the song.

Overall Analysis

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

Style Analysis

Mixolydian mode is very common in blues, funk, and rock music due to its slightly discordant nature. Since it has a flattened seventh it makes it perfect for bluesy styles, giving it its characteristic edge. The progression creates a familiar but also unique sound.

Chords in the Chorus section of Kiss by Prince are:

[‘E5’, ‘D5’, ‘E5’, ‘D5’, ‘E9sus4’, ‘A5’]