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Related Music Theory Alchemy

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.

Verse 1

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

Muse – Apocalypse Please – Verse 1

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Chord Progression

F#m/C#, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

F#m/C# (i6), C# (V), F#m/C# (i6), C# (V), F#m (i), C# (V), F#m (i), C# (V)

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Am (i), E (V), Am (i), E (V), Am (i), E (V), Am (i), E (V)

Although the chords are different, Radiohead’s “Exit Music (For a Film)” also heavily utilizes the alternating i and V relationship in their chord progression.

2. Metallica – “Welcome Home (Sanitarium)”
Em (i), B (V), Em (i), B (V), Em (i), B (V), Em (i), B (V)

Similar to the other examples, Metallica’s “Welcome Home (Sanitarium)” consists of alternating between the tonic and dominant chords, creating tension and release throughout the progression.

Musical Analysis

The verse begins with F#m/C# as the first inversion of F#m, creating a smooth transition between F#m and C# while maintaining the bass note C#. This creates a sense of consistency and grounding throughout the progression. It alternates between F#m/C# and C# for the first four chords and then shifts to a simpler alternation between F#m and C# for the remaining four chords.

Overall Analysis

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

Style Analysis

This chord progression fits the general style and sound of Muse, which often features strong, driving grooves, and dramatic tension/resolution. They are known for incorporating classical elements in their music, and the use of the i and V relationship in this chord progression demonstrates their affinity for classical harmonic structures. Additionally, the sense of urgency in the progression aligns with the apocalyptic theme of the song.

Chords in the Verse 1 section of Apocalypse Please by Muse are:

F#m/C#, C#, F#m/C#, C#, F#m, C#, F#m, C#