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The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Muse – Apocalypse Please – Verse 1

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Chord Progression

F#m/C#, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

F#m/C# (i6), C# (V), F#m/C# (i6), C# (V), F#m (i), C# (V), F#m (i), C# (V)

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Am (i), E (V), Am (i), E (V), Am (i), E (V), Am (i), E (V)

Although the chords are different, Radiohead’s “Exit Music (For a Film)” also heavily utilizes the alternating i and V relationship in their chord progression.

2. Metallica – “Welcome Home (Sanitarium)”
Em (i), B (V), Em (i), B (V), Em (i), B (V), Em (i), B (V)

Similar to the other examples, Metallica’s “Welcome Home (Sanitarium)” consists of alternating between the tonic and dominant chords, creating tension and release throughout the progression.

Musical Analysis

The verse begins with F#m/C# as the first inversion of F#m, creating a smooth transition between F#m and C# while maintaining the bass note C#. This creates a sense of consistency and grounding throughout the progression. It alternates between F#m/C# and C# for the first four chords and then shifts to a simpler alternation between F#m and C# for the remaining four chords.

Overall Analysis

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

Style Analysis

This chord progression fits the general style and sound of Muse, which often features strong, driving grooves, and dramatic tension/resolution. They are known for incorporating classical elements in their music, and the use of the i and V relationship in this chord progression demonstrates their affinity for classical harmonic structures. Additionally, the sense of urgency in the progression aligns with the apocalyptic theme of the song.

Chords in the Verse 1 section of Apocalypse Please by Muse are:

F#m/C#, C#, F#m/C#, C#, F#m, C#, F#m, C#