Radiohead – Exit Music For A Film – Chorus
Exit Music For A Film < All Analyses
Chord Progression
Gmadd11, D7/F#, Asus2, Am, Asus2, Asus4, Am/C, Esus4, Gmadd11, D7/F#, Asus2, Am, Asus2, Asus4, Am/C, Esus4, E
Chord Progression Analysis
“`
Gmadd11 (‘i’)
↳ borrowed from the Aeolian mode
|
D7/F# (‘V7/III’)
↳ secondary dominant to the III
|
Asus2 (‘III’)
↳ borrowed from the Ionian mode
|
Am (‘III’)
↳ borrowed from the Aeolian mode
Asus2 (‘III’)
|
Asus4 (‘III’)
↳ borrowed from the Ionian mode
|
Am/C (‘III’)
↳ borrowed from the Aeolian mode
|
Esus4 (‘VII’)
↳ borrowed from the Ionian mode
|
Gmadd11 (‘i’)
|
D7/F# (‘V7/III’)
|
Asus2 (‘III’)
|
Am (‘III’)
↳ borrowed from the Aeolian mode
|
Asus2 (‘III’)
|
Asus4 (‘III’)
|
Am/C (‘III’)
↳ borrowed from the Aeolian mode
|
Esus4 (‘VII’)
|
E (‘VII’)
borrowed from the harmonic minor
“`
Similar Chord Progressions
One artist with a similar approach to complex and unconventional chord progressions is jazz pianist and composer Bill Evans. His composition “Blue In Green” (often credited to Miles Davis) features a progression that includes chords borrowed from multiple modes and key centers.
Chord progression in “Blue In Green”:
“`
Dm7 (‘ii’):
↳ borrowed from the Dorian mode
|
Gm7 (‘ii’):
↳ borrowed from the Aeolian mode
|
A7 (‘V7’):
↳ borrowed from the Mixolydian mode
|
EbMaj7 (‘IV’):
↳ borrowed from the Ionian mode
|
Gm7 (‘ii’)
|
AbMaj7 (‘VII’):
↳ borrowed from the harmonic minor
|
Gm7 (‘ii’)
“`
Musical Analysis
The song starts in G minor, and the use of the Gmadd11 chord gives a brooding, moody quality to the progression. The D7/F# functions as a secondary dominant chord that leads to the Asus2 and Am, which are borrowed from different modes, adding more depth to the sound.
The Esus4, another borrowed chord from the Ionian mode, appears twice in the progression and resolves to the E major chord, representing the harmonic minor. This switch from the suspended fourth to the major variant provides a sense of resolution but retains some tension in the progression due to its non-diatonic nature.
Overall Analysis
The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.
Style Analysis
Radiohead is well-known for their unconventional approach to songwriting. In “Exit Music (For A Film),” they employ various borrowed chords and unusual chord progressions to create an evocative, surrealist soundscape. The harmonic and melodic complexity of the chorus conveys the emotional weight of the lyrics and the storyline of the film it was composed for (“Romeo + Juliet”).
What are the chords in: Radiohead – Exit Music For A Film – Chorus?
Gmadd11, D7/F#, Asus2, Am, Asus2, Asus4, Am/C, Esus4, Gmadd11, D7/F#, Asus2, Am, Asus2, Asus4, Am/C, Esus4, E
