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“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

Radiohead – Exit Music For A Film – Outro

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Chord Progression

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI6),
Dadd9/F# (VII with an added 9th and first inversion),
Dadd9/F (VII with an added 9th and flat sixth in the bass),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# – Borrowed from A dorian mode
Dadd9/F – Borrowed from A phrygian mode
“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
“`
C (I),
Em (iii),
Cmaj7 (Imaj7),
C (I),
C (I),
E7 (III7),
Fmaj7 (IVmaj7),
Fm (iv),
C (I),
E7 (III7),
F (IV),
Fm (iv),
C (I)
“`

2. “Shiver” by Coldplay:
“`
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv),
Bsus2 (I),
G#m (vi),
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv)
“`

Musical Analysis

The progression begins with a classic i-V movement from Am to E, which adds a sense of tension and urgency. The following C/G is a borrowed VI chord that adds more texture by being in the first inversion, giving a richer and smoother harmonic motion. This is followed by the Dadd9/F#, which adds an interesting modal interchange from the A dorian mode, and contrasts nicely with the next chord, Dadd9/F, borrowed from the A phrygian mode. The chromatic descending bass movement from F# to F in these chords creates an intriguing color within the progression.

The rest of the progression consists of repetitions and variations of the initial pattern, with V-IVsus4-IV giving a sense of resolve between the repetitions. The use of sus4 chords adds an open, suspended feeling, which helps build tension throughout. The progression concludes by revisiting the i-V movement, providing a sense of closure.

Overall Analysis

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

Style Analysis

Radiohead is known for their unique approach to harmony and composition. The usage of modal interchange, unconventional chord voicings, and the delicate balance of tension and release in “Exit Music (For a Film)” truly reflects their innovative and influential style. Thom Yorke’s haunting vocal melodies over these sophisticated progressions further contribute to the eeriness and contemplative mood of the piece.

Chords in the Outro section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A