Music Theory Alchemy

Search

Related Music Theory Alchemy

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

Radiohead – Exit Music For A Film – Outro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI6),
Dadd9/F# (VII with an added 9th and first inversion),
Dadd9/F (VII with an added 9th and flat sixth in the bass),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# – Borrowed from A dorian mode
Dadd9/F – Borrowed from A phrygian mode
“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
“`
C (I),
Em (iii),
Cmaj7 (Imaj7),
C (I),
C (I),
E7 (III7),
Fmaj7 (IVmaj7),
Fm (iv),
C (I),
E7 (III7),
F (IV),
Fm (iv),
C (I)
“`

2. “Shiver” by Coldplay:
“`
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv),
Bsus2 (I),
G#m (vi),
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv)
“`

Musical Analysis

The progression begins with a classic i-V movement from Am to E, which adds a sense of tension and urgency. The following C/G is a borrowed VI chord that adds more texture by being in the first inversion, giving a richer and smoother harmonic motion. This is followed by the Dadd9/F#, which adds an interesting modal interchange from the A dorian mode, and contrasts nicely with the next chord, Dadd9/F, borrowed from the A phrygian mode. The chromatic descending bass movement from F# to F in these chords creates an intriguing color within the progression.

The rest of the progression consists of repetitions and variations of the initial pattern, with V-IVsus4-IV giving a sense of resolve between the repetitions. The use of sus4 chords adds an open, suspended feeling, which helps build tension throughout. The progression concludes by revisiting the i-V movement, providing a sense of closure.

Overall Analysis

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

Style Analysis

Radiohead is known for their unique approach to harmony and composition. The usage of modal interchange, unconventional chord voicings, and the delicate balance of tension and release in “Exit Music (For a Film)” truly reflects their innovative and influential style. Thom Yorke’s haunting vocal melodies over these sophisticated progressions further contribute to the eeriness and contemplative mood of the piece.

Chords in the Outro section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A