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Related Music Theory Alchemy

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

The song “Hurt” by Nine Inch Nails is in the key of B minor. The verse has a simple yet effective chord progression that revolves mainly around the i, III, and IV chords with a slight deviation towards the end. The chorus is characterized by a i-VII-III-VI progression with a slight extension. The outro mostly repeats the verse progression but is shorter.

The given chord progression is in the key of C Major and follows a simple, yet effective structure. It features a blend of consonance and dissonance, which creates a sense of resolution and tension simultaneously. This progression is characteristic of Radiohead’s unique sound and their ability to create emotive landscapes through their music.

The chord progression in the famous outro of Queen’s ‘Bohemian Rhapsody’ illustrates the eccentricity Queen was known for throughout their discography. This section consists of bold modulations, chromatic chord progressions, and borrowed chords, showing off Freddie Mercury’s compositional sophistication and creativity. It’s evident that Mercury’s influence for this song came from various musical genres, including progressive rock, classical, and operatic music.

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

Nine Inch Nails – Hurt – Outro

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Chord Progression

[‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’]

Chord Progression Analysis

The outro of this piece follows a three-chord progression for the most part, with a repetition of the sequence D, E, Bm. This would be an IV-v-i progression in the key of B Minor. Translates to:
“`bash
D Major (‘IV’)
E Major (‘v’)
B Minor (‘i’)
“`
For reference, the v chord is actually a borrowed chord from the parallel major key of B Major, as the natural state in a minor key would have been E minor.

Similar Chord Progressions

Many songs utilize similar chord progressions. The IV-v-i progression finds a close relative in the IV-V-I progression, synonymous with songs like “Let it Be” by the Beatles. The difference lies in the final chord being major instead of minor. Another song demonstrating a chromatic mediants relationship similar to D, E, Bm would be “Creep” by Radiohead.

“Let it Be” by The Beatles:
“`bash
C Major (IV)
G Major (V)
F Major (I)
“`
“Creep” by Radiohead:
“`bash
G Major (‘I’)
B Major (‘III’)
C Major (‘IV’)
C Minor (‘iv’)
“`

This IV-v-i progression used in “Hurt” is fairly unique in the sense that it uses the major V instead of the expected minor v in a minor key. The borrowed chord combined with the melancholic B minor allows Nine Inch Nails to craft a hauntingly beautiful soundscape, characteristic of their music.

Musical Analysis

The D major and E major chords lend a sense of uplifting resolve since both chords are principals in the parent scale of B minor. This, coupled with the heavy use of B minor creates a deep, melancholic mood that is typical for Nine Inch Nails and their dark alternative brand of rock music. The progression doesn’t leave the tonic B Minor too far behind, giving the song a somber atmosphere.

Overall Analysis

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

Style Analysis

“Hurt” encapsulates the industrial rock style of Nine Inch Nails, which combines elements of rock with electronic music. The simple, repetitive chord progression gives room for the haunting lyrics and intense, emotional vocals. The use of the borrowed chord helps create an unexpected shift in the tonality, adding to the unsettling nature of the music.

Chords in the Outro section of Hurt by Nine Inch Nails are:

[‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’]