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Related Music Theory Alchemy

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

Beck – Paper Tiger – Outro

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I) – E7 (V7/iv) – B minor (iv)

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Am (i) – Am/G (i/♭VII) – Am/F♯ (i/♮VI) – Am/G (i/♭VII)

2. Radiohead – “Karma Police”
Am (i) – D7/Ab (V7/iv/v) – G (♭VII) – D (iv)

3. David Bowie – “Space Oddity”
C (I) – E7 (V7/vi) – F (IV) – Fm (iv)

Musical Analysis

The chord progression starts with E Major, establishing the tonic in the key of E Major. Then the E7 chord serves as a secondary dominant, as it is the dominant seventh of the following B minor chord, which is a borrowed minor subdominant (iv) from the parallel minor key, E minor. This borrowed chord adds a sense of tension and surprise, making the progression more interesting.

Overall Analysis

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

Style Analysis

In the context of alternative rock, this chord progression can be seen as simple but effective, with the use of borrowed chords and secondary dominants creating a sense of harmonic tension and release. The progression is reminiscent of other rock and pop songs from the late ’60s and ’70s era, reflecting the influence of psychedelia and baroque pop. Beck is also known for his fondness for musical experimentation, and this chord progression showcases his keen sense of harmony and tonality in his songwriting.

Chords in the Outro section of Paper Tiger by Beck are:

E, E7, Bm