Beck – Morning – OUTRO
Morning < All Analyses
Chord Progression
E, A, G#m, F#m
Chord Progression Analysis
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E major (I) – A major (IV) – G# minor (iii) – F# minor (ii)
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Similar Chord Progressions
1. Radiohead – “Exit Music (For a Film)”
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C major (I) – F major (IV) – E minor (iii) – D minor (ii)
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2. Coldplay – “The Scientist”
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D major (I) – G major (IV) – F# minor (iii) – E minor (ii)
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While not identical to the progression in Beck’s “Morning,” these examples share similarities in their use of descending motion and changing tonalities to create a captivating soundscape for the listener.
Musical Analysis
In the key of E major, this progression starts with the tonic, E major, establishing the key center. Then it moves to the subdominant, A major, a standard progression in popular music. The next chord, G# minor, is the mediant (iii) which adds a touch of emotional depth to the progression. Lastly, it resolves to the supertonic, F# minor (ii), a diatonic chord in the key of E major that is commonly used in popular music.
Overall Analysis
The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.
Style Analysis
The chord progression is characteristic of Beck’s diverse musical background, which merges elements of rock, folk, and alternative music. The use of diatonic chords intertwined with borrowed chords creates a unique and intriguing sound. The descending motion in the chord progression also adds to the ethereal and dreamlike quality found in many of his songs.
What are the chords in: Beck – Morning – OUTRO?
E, A, G#m, F#m
