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The chord progression in Beck’s “Morning” is a 9-chord progression in the key of A major. This chord progression employs borrowed chords and has a unique structure that includes secondary dominant chords and mediant substitutions. The chords are mostly major with a mix of some minor chords.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

“Heart Is A Drum” by Beck is primarily a folk and indie rock song that features an interesting harmonic structure in the Hook 2. The progression adds complexity and emotional depth to the song by diverging from the standard conventions of Western popular music. The chord progression includes a borrowed chord, which adds richness to the overall sound.

Beck – Morning – HOOK 2

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Chord Progression

G, A, E, B, D, A, B, D, A, B, D, A, B, D, A, E

Chord Progression Analysis

G major (I), A major (IV), E minor (vi), B minor (iii), D major (V), A major (IV), B minor (iii), D major (V), A major (IV), B minor (iii), D major (V), A major (IV), B minor (iii), D major (V), A major (IV), E minor (vi)

Borrowed chords: N/A for this chord progression.

Similar Chord Progressions

1. Radiohead – “Karma Police”:
A minor (i), A major (I), G major (VII), D major (IV), E minor (v), B minor (ii)

2. The Beatles – “Let It Be”:
C major (I), G major (V), A minor (vi), F major (IV), C major (I), G major (V), F major (IV), C major (I)

3. Coldplay – “The Scientist”:
D minor (i), B♭major (VI), F major (III), C major (VII)

These artists also use a mix of major and minor chords in their progressions, creating a similar sense of tension and release. Additionally, the raised IV chord found in “Morning” is also observed in Radiohead’s “Karma Police,” showcasing a similar technique in blending diatonic and non-diatonic chords to achieve an innovative and emotive sound.

Musical Analysis

Beck creates tension in this progression with the raised IV chord, the A major, which departs from the typical diatonic chords found in G major. This unexpected chord brings a sense of freshness and innovation to the progression. The shift between E minor and B minor chords further introduces a sense of tonal ambiguity, as both chords are minor and can be found in different key centers.

Overall Analysis

The chord progression in Beck’s “Morning” is an interesting mixture of diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression. The use of borrowed chords and the mix of major and minor keys gives the piece a flowing, emotional quality.

Style Analysis

The chord progression is reflective of Beck’s eclectic style, which often mixes elements of various musical genres into his compositions. In “Morning,” Beck combines the emotional intensity of minor chords with the uplifting quality of major chords, drawing from diverse musical traditions such as pop, indie rock, and folk music.

Chords in the Hook 2 section of Morning by Beck are:

G, A, E, B, D, A, B, D, A, B, D, A, B, D, A, E