The Smashing Pumpkins – Perfect – Outro
Perfect < All Analyses
Chord Progression
[‘D’, ‘Bm’, ‘D’, ‘Bm’, ‘D’, ‘Bm’, ‘A’]
Chord Progression Analysis
– D Major (‘I’)
– B minor (‘vi’)
– D Major (‘I’)
– B minor (‘vi’)
– D Major (‘I’)
– B minor (‘vi’)
– A Major (‘V’)
“`In terms of borrowed chords, none are observed in the given progression.“`
Similar Chord Progressions
This is a very common progression in popular music (I, vi, IV, V). Some examples include:
-“Don’t Stop Believing’” by Journey: [‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘G#m’, ‘A’]
-“Hallelujah” by Leonard Cohen: [‘C’, ‘Am’, ‘C’, ‘Am’, ‘F’, ‘G’, ‘C’, ‘G’]
-“Let it Be” by The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
As mentioned before, these all fall within the framework of popular music chord progressions, the I-vi progression being one of the most common due to its highly satisfying, cadential resolution. These songs, while diverse in style and theme, bear similarities to “Perfect” in their basic, underlying harmonic structures.
Musical Analysis
This progression in D Major sticks primarily to the diatonic chords within the key. It alternates between the tonic (I) and the relative minor (vi), establishing a pattern and musical structure that keeps repeating, providing a comforting and familiar grounding in this signature. The ending on A Major, the dominant (V), provides a nice resolution and cadence to the overall progression, giving it a sense of finality and direction.
Overall Analysis
Patterns in music are fundamental for creating musical identity. This repetition ensures the music is coherent and familiar for the listener. In the case of “Perfect” by Smashing Pumpkins, the song makes use of a common popular music chord progression known as the I – vi progression.
Style Analysis
The Smashing Pumpkins frequently blend simple chord progressions with complex melodies, harmonies, and instrumentations, a feature commonly adopted in alternative rock genre. They often inject unique twists into their songs for added interest. Billy Corgan, the band’s lead, is known for his dense, layering approaches and existential lyrics within the genre’s boundary.
What are the chords in: The Smashing Pumpkins – Perfect – Outro?
[‘D’, ‘Bm’, ‘D’, ‘Bm’, ‘D’, ‘Bm’, ‘A’]
