Music Theory Alchemy

Search

Related Music Theory Alchemy

“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

“Right Where It Belongs” by Nine Inch Nails is a song characterized by its melodic and harmonic structure. It has a unique yet familiar sound, blending pop and alternative rock elements with its rich chord progression and powerful melody.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

Nine Inch Nails – Hurt – Outro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

D, E, Bm, D, E, Bm, D, E, Bm, D, E

Chord Progression Analysis

Outro:
– D major (IV)
– E major (V)
– B minor (i)
Repeated five times

The chords used in the outro are diatonic to the key of B minor, and none of them are borrowed chords.

Similar Chord Progressions

– Radiohead – “Exit Music (For a Film)” – Chord Progression: Am, C, D, G, Emin, C, G, D
– Johnny Cash – “I See a Darkness” – Chord Progression: Dm, C, Bb, A
– Nirvana – “Something in the Way” – Chord Progression: Em, C, G, Em

While each of these examples may not be exact matches, they share a similar mood and simplicity in the chord progressions and are representative of the melancholic and haunting theme found in the song “Hurt” by Nine Inch Nails. The chord progressions, as well as the emotional tone, can be seen through the use of minor keys and the sparse, introspective nature of the songs.

Musical Analysis

The harmonic progression used in the outro (IV-V-i) creates a sense of resolution and closure, with the subdominant (IV) moving to the dominant (V) and then resolving to the tonic (i). This progression has a strong sense of movement and tension, which contributes to the emotional impact of the song.

Overall Analysis

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

Style Analysis

The style of “Hurt” by Nine Inch Nails can be described as a melancholic, haunting, and introspective, with its slow tempo and intimate vocal delivery. The harmonic structure of the song is relatively simple, with a few chords and a somber key of B minor, creating a barren sound. The minimalistic chord progression, lyrical content, and production contribute to the overall moody atmosphere and introspection.

Chords in the Outro section of Hurt by Nine Inch Nails are:

D, E, Bm, D, E, Bm, D, E, Bm, D, E