The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.
The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.
The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.
“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.
“Bohemian Rhapsody”, composed by Queen, is a powerful anthem that merges elements of rock, opera, and progressive music. The chord progression demonstrates a sophisticated understanding of voice leading and functional harmony, contributing to its distinctive sound. Famous for its key changes and thematic progressions, the composition is often cited as an example of Freddie Mercury’s musical genius.
The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.
The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.
Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.
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