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Related Music Theory Alchemy

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

Kali Uchis – Telepatia – Verse 1

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Chord Progression

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A

Chord Progression Analysis

1. Gmaj7 (I)
2. B7 (III7 **borrowed from G harmonic minor**)
3. Em9 (vi9)
4. G/A (I/A)
5. Gmaj7 (I)
6. B7 (III7 **borrowed from G harmonic minor**)
7. Em9 (vi9)
8. G/A (I/A)

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B7 (III7) is a borrowed chord from G harmonic minor
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Similar Chord Progressions

1. “Put It All On Me” by Ed Sheeran (ft. Ella Mai)
– Progression: CMaj7 (I), E7 (III7), Am7 (vi7), C/G (I/G)

2. “Just the Two of Us” by Bill Withers
– Progression: F#m7 (ii7), B7 (VI7), Emaj7 (I maj7), Emaj7/D# (I maj7/3)

3. “Maria Maria” by Santana
– Progression: G#m9 (i9), C#9 (IV9), F#9sus4 (VII9sus4), Bmaj9/F# (III9/5)

In each of these examples, there are similar elements to the progression in “Telepatia,” such as the use of extended chords, the presence of a borrowed chord, or the shift from a major chord to a minor chord. These songs also display elements of jazz, soul, and Latin styles.

Musical Analysis

The chord progression starts with Gmaj7, which establishes the tonic of G Major. The following B7 chord is borrowed from G harmonic minor, creating a temporary sense of tension and surprise. This tension resolves when the progression moves to Em9, which is the relative minor of G Major. The G/A chord is an inversion of the tonic chord, helping to maintain a strong sense of G Major despite the chromaticism. The progression then repeats itself, allowing for the return of tension and resolution that gives the verse its distinctive character.

Overall Analysis

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Style Analysis

Kali Uchis’ music is influenced by a range of styles, including R&B, soul, hip-hop, jazz, and Latin music. The chord progression in “Telepatia” showcases the Latin and jazz influences, with the use of extended and borrowed chords lending a lush, romantic quality to the harmony. This sound evokes a sense of longing and romanticism, which complements the lyrics and overall concept of the song.

Chords in the Verse 1 section of Telepatia by Kali Uchis are:

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A