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Related Music Theory Alchemy

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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David Bowie’s song, “Space Oddity,” is typically interpreted as being in the key of C Major. It’s an interesting song harmonically, featuring not just Primary Triads and Secondary Dominants but also uses Borrowed Chords, non-functional harmony, and chromatic chord changes. The kind of harmonic movement might be called Bowie’s deviation from the traditional harmonic patterns, which is part of what gives his music its characteristic ‘alien’ vibe. This progression has a more modal feeling due to the use of borrowed chords and the shifted tonal center.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

Kali Uchis – Telepatia – Verse 1

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Chord Progression

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A

Chord Progression Analysis

1. Gmaj7 (I)
2. B7 (III7 **borrowed from G harmonic minor**)
3. Em9 (vi9)
4. G/A (I/A)
5. Gmaj7 (I)
6. B7 (III7 **borrowed from G harmonic minor**)
7. Em9 (vi9)
8. G/A (I/A)

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B7 (III7) is a borrowed chord from G harmonic minor
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Similar Chord Progressions

1. “Put It All On Me” by Ed Sheeran (ft. Ella Mai)
– Progression: CMaj7 (I), E7 (III7), Am7 (vi7), C/G (I/G)

2. “Just the Two of Us” by Bill Withers
– Progression: F#m7 (ii7), B7 (VI7), Emaj7 (I maj7), Emaj7/D# (I maj7/3)

3. “Maria Maria” by Santana
– Progression: G#m9 (i9), C#9 (IV9), F#9sus4 (VII9sus4), Bmaj9/F# (III9/5)

In each of these examples, there are similar elements to the progression in “Telepatia,” such as the use of extended chords, the presence of a borrowed chord, or the shift from a major chord to a minor chord. These songs also display elements of jazz, soul, and Latin styles.

Musical Analysis

The chord progression starts with Gmaj7, which establishes the tonic of G Major. The following B7 chord is borrowed from G harmonic minor, creating a temporary sense of tension and surprise. This tension resolves when the progression moves to Em9, which is the relative minor of G Major. The G/A chord is an inversion of the tonic chord, helping to maintain a strong sense of G Major despite the chromaticism. The progression then repeats itself, allowing for the return of tension and resolution that gives the verse its distinctive character.

Overall Analysis

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Style Analysis

Kali Uchis’ music is influenced by a range of styles, including R&B, soul, hip-hop, jazz, and Latin music. The chord progression in “Telepatia” showcases the Latin and jazz influences, with the use of extended and borrowed chords lending a lush, romantic quality to the harmony. This sound evokes a sense of longing and romanticism, which complements the lyrics and overall concept of the song.

Chords in the Verse 1 section of Telepatia by Kali Uchis are:

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A