Kali Uchis – Telepatia – Outro
Telepatia < All Analyses
Chord Progression
Gmaj7, B7
Chord Progression Analysis
G major 7 (Imaj7) – B dominant 7 (III7)
Borrowed Chords:
None
Similar Chord Progressions
1. Billie Eilish – “Ocean Eyes”: Emaj7 (Imaj7) – G#7 (III7)
2. Amy Winehouse – “Just Friends”: Cmaj7 (Imaj7) – E7 (III7)
Musical Analysis
The outro of “Telepatia” starts with a Gmaj7 chord that has a dreamy and relaxed sound, partly due to the major 7th interval of the chord. It then goes to the B7 (a dominant seventh chord) which creates a sense of tension and adds an interesting color to the harmony. This progression then repeats throughout the outro. Despite only having two chords, it creates an intriguing and evocative mood fitting the overall vibe of the song.
Overall Analysis
Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.
Style Analysis
Kali Uchis’ music is known for its eclectic fusion of various styles such as R&B, soul, and Latin music. The choice of chord progression in the outro reflects this, as it’s not a typical progression found in any specific genre. Instead, its unique sound and simplicity create a distinct atmosphere that blends well with her soulful voice and the electronic-inspired production.
What are the chords in: Kali Uchis – Telepatia – Outro?
Gmaj7, B7
